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Critical Fabulation and Stories for Design: Black Feminist Technoscience and the Design Practice of African American Craftswomen
Critical Fabulation and Stories for Design: Black Feminist Technoscience and the Design Pr...
Critical Fabulation and Stories for Design: Black Feminist Technoscience and the Design Practice of African American Craftswomen

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자료유형  
 학위논문 서양
최종처리일시  
20260202105545
ISBN  
9798265405135
DDC  
741
저자명  
Sherman, Jihan.
서명/저자  
Critical Fabulation and Stories for Design: Black Feminist Technoscience and the Design Practice of African American Craftswomen
발행사항  
[Sl] : Georgia Institute of Technology, 2023
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2023
형태사항  
238 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-05, Section: B.
주기사항  
Advisor: Nitsche, Michael.
학위논문주기  
Thesis (Ph.D.)--Georgia Institute of Technology, 2023.
초록/해제  
요약The stories we tell about design have set the priorities and practices that we use to create technology and set limits on how they might open other possible futures for the ways we make with the world. This dissertation argues that the dominant story of design has been told as a single story that has overlooked many heritages and practices of it. It looks to stories that are absent in order to destabilize the single story and imagine how we might practice design differently. Building on my personal experiences as a Black woman who is an architect, designer, and craftswoman, this research focuses on African American craftswomen as a group of designers who have been absent from the single story. Shifting our focus to Black women heightens both our understanding of the transgressive systems embedded in design and opportunities to transform it. This dissertation project moves beyond awareness to developing alternatives for design practice itself.I introduce and develop Black feminist technoscience (BFTS) as a framework for design with six key principles: intersectionality, coming to voice, the personal and situated, (Black) temporalities, (em)bodied ecologies and the ethics of care. As a praxis, the underlying methodological structure of BFTS and this dissertation project is storytelling. I extend critical fabulation, initially developed by Saidiya Hartman and explored for design by Daniela Rosner, as a method of storytelling that engages qualitative analysis, critical theory, and experiments that seek to imagine design and technology differently. I present ethnographic research that explores the histories and practices of six African American craftswomen: Anginique Walker, Adriane Johnson, Jocelyn Dorsey, Frances Bosley, Minnie R. Choice, and Cheryl Cherry-Hill. From this study, this dissertation presents two stories crafted for design centered on African American craftswomen as critical fabulation: "And she taught me how to knit" and "There's a whole energy that goes into crafting." These critical fabulation stories are questionings and imaginings of different engagements for design.
일반주제명  
Design
일반주제명  
Social exclusion
일반주제명  
African Americans
일반주제명  
Women
일반주제명  
African American studies
일반주제명  
Social psychology
기타저자  
Georgia Institute of Technology.
기본자료저록  
Dissertations Abstracts International. 87-05B.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■020    ▼a9798265405135
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■035    ▼a(MiAaPQ)GeorgiaTech75565
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a741
■1001  ▼aSherman,  Jihan.
■24510▼aCritical  Fabulation  and  Stories  for  Design:  Black  Feminist  Technoscience  and  the  Design  Practice  of  African  American  Craftswomen
■260    ▼a[Sl]▼bGeorgia  Institute  of  Technology▼c2023
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2023
■300    ▼a238  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-05,  Section:  B.
■500    ▼aAdvisor:  Nitsche,  Michael.
■5021  ▼aThesis  (Ph.D.)--Georgia  Institute  of  Technology,  2023.
■520    ▼aThe  stories  we  tell  about  design  have  set  the  priorities  and  practices  that  we  use  to  create  technology  and  set  limits  on  how  they  might  open  other  possible  futures  for  the  ways  we  make  with  the  world.  This  dissertation  argues  that  the  dominant  story  of  design  has  been  told  as  a  single  story  that  has  overlooked  many  heritages  and  practices  of  it.  It  looks  to  stories  that  are  absent  in  order  to  destabilize  the  single  story  and  imagine  how  we  might  practice  design  differently.  Building  on  my  personal  experiences  as  a  Black  woman  who  is  an  architect,  designer,  and  craftswoman,  this  research  focuses  on  African  American  craftswomen  as  a  group  of  designers  who  have  been  absent  from  the  single  story.  Shifting  our  focus  to  Black  women  heightens  both  our  understanding  of  the  transgressive  systems  embedded  in  design  and  opportunities  to  transform  it.  This  dissertation  project  moves  beyond  awareness  to  developing  alternatives  for  design  practice  itself.I  introduce  and  develop  Black  feminist  technoscience  (BFTS)  as  a  framework  for  design  with  six  key  principles:  intersectionality,  coming  to  voice,  the  personal  and  situated,  (Black)  temporalities,  (em)bodied  ecologies  and  the  ethics  of  care.  As  a  praxis,  the  underlying  methodological  structure  of  BFTS  and  this  dissertation  project  is  storytelling.  I  extend  critical  fabulation,  initially  developed  by  Saidiya  Hartman  and  explored  for  design  by  Daniela  Rosner,  as  a  method  of  storytelling  that  engages  qualitative  analysis,  critical  theory,  and  experiments  that  seek  to  imagine  design  and  technology  differently.  I  present  ethnographic  research  that  explores  the  histories  and  practices  of  six  African  American  craftswomen:  Anginique  Walker,  Adriane  Johnson,  Jocelyn  Dorsey,  Frances  Bosley,  Minnie  R.  Choice,  and  Cheryl  Cherry-Hill.  From  this  study,  this  dissertation  presents  two  stories  crafted  for  design  centered  on  African  American  craftswomen  as  critical  fabulation:  "And  she  taught  me  how  to  knit"  and  "There's  a  whole  energy  that  goes  into  crafting."  These  critical  fabulation  stories  are  questionings  and  imaginings  of  different  engagements  for  design.
■590    ▼aSchool  code:  0078.
■650  4▼aDesign
■650  4▼aSocial  exclusion
■650  4▼aAfrican  Americans
■650  4▼aWomen
■650  4▼aAfrican  American  studies
■650  4▼aSocial  psychology
■690    ▼a0389
■690    ▼a0296
■690    ▼a0451
■71020▼aGeorgia  Institute  of  Technology.
■7730  ▼tDissertations  Abstracts  International▼g87-05B.
■790    ▼a0078
■791    ▼aPh.D.
■792    ▼a2023
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360545▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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