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Ecofeminismo: La presencia de los animales en la narrativa contemporanea de mujeres mexicanas : Ecofeminism: The Presence of Animals in Contemporary Mexican Women's Narratives
Ecofeminismo: La presencia de los animales en la narrativa contemporanea de mujeres mexicanas : Ecofeminism: The Presence of Animals in Contemporary Mexican Women's Narratives
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202103610
- ISBN
- 9798315732846
- DDC
- 860
- 저자명
- Molina, Claudia.
- 서명/저자
- Ecofeminismo: La presencia de los animales en la narrativa contemporanea de mujeres mexicanas : Ecofeminism: The Presence of Animals in Contemporary Mexican Womens Narratives
- 발행사항
- [Sl] : University of California, Los Angeles, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 224 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-11, Section: A.
- 주기사항
- Advisor: van Delden, Maarten H.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Los Angeles, 2025.
- 초록/해제
- 요약This project reevaluates the depiction of animals in Mexican literature authored by women, spanning from the late twentieth century to the present. It explores how sociocultural attitudes shape literary portrayals of animals and highlights early uses of animal figures to address themes such as violence, marginalization, and passivity. These writers often juxtapose the human and animal realms, yet a closer reading reveals efforts to restore animals' significance within the literary domain. The dissertation demonstrates how contemporary Mexican women writers portray animals with heightened awareness, granting them narrative roles, voices, and agency. Its broader goal is to promote literature that resists the instrumentalization of animals and instead presents them as sentient beings.Animals have long occupied a meaningful place in literature, and the enduring tradition of bestiaries stands as a testament to their symbolic and narrative power. In Mexican literature, this interest is evident in works such as Juan Jose Arreola's Bestiario (1959), Augusto Monterroso's La oveja negra (1969), and the poetry of Eduardo Lizalde and Jose Emilio Pacheco. As Javier Hernandez Quezada explains in "De risas y bestiarios," animals often appear in contexts of violence, whether for consumption, labor, entertainment, or ritual. In more favorable depictions, animals serve as companions. Recent scholarship reflects a growing interest in the emotional bonds between animals and humans. Alejandro Lambarry notes a shift in literature where animals now play central roles, and Hernandez Quezada emphasizes their communicative gestures. Yet, little attention has been given to how Mexican women writers present animals as active subjects and vehicles for social critique.This work initiates a conversation on how women's literature reveals the complexity of animals' lives, their suffering, and the urgency of their protection. As Marian Scholtmeijier argues, women's fiction often affirms "otherness," giving voice to the marginalized, both human and nonhuman. Chapter 1 examines violence and captivity. Chapter 2 links animal voices to indigenous resistance in Chiapas. Chapter 3 critiques machismo, highlighting how women's care for animals becomes an act of mutual liberation. Chapter 4 explores motherhood as a cross-species bond, showing how even insects shape identity and challenge normative views of the female body.
- 일반주제명
- Creative writing
- 일반주제명
- Literature
- 키워드
- Animal studies
- 키워드
- Animales
- 키워드
- Ecofeminismo
- 키워드
- Escritoras
- 키워드
- Mexicanas
- 키워드
- Mexico
- 키워드
- Women writers
- 기타저자
- University of California, Los Angeles Spanish 0882
- 기본자료저록
- Dissertations Abstracts International. 86-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798315732846
■035 ▼a(MiAaPQ)AAI32043102
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a860
■1001 ▼aMolina, Claudia.
■24510▼aEcofeminismo: La presencia de los animales en la narrativa contemporanea de mujeres mexicanas ▼bEcofeminism: The Presence of Animals in Contemporary Mexican Women's Narratives
■260 ▼a[Sl]▼bUniversity of California, Los Angeles▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a224 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-11, Section: A.
■500 ▼aAdvisor: van Delden, Maarten H.
■5021 ▼aThesis (Ph.D.)--University of California, Los Angeles, 2025.
■520 ▼aThis project reevaluates the depiction of animals in Mexican literature authored by women, spanning from the late twentieth century to the present. It explores how sociocultural attitudes shape literary portrayals of animals and highlights early uses of animal figures to address themes such as violence, marginalization, and passivity. These writers often juxtapose the human and animal realms, yet a closer reading reveals efforts to restore animals' significance within the literary domain. The dissertation demonstrates how contemporary Mexican women writers portray animals with heightened awareness, granting them narrative roles, voices, and agency. Its broader goal is to promote literature that resists the instrumentalization of animals and instead presents them as sentient beings.Animals have long occupied a meaningful place in literature, and the enduring tradition of bestiaries stands as a testament to their symbolic and narrative power. In Mexican literature, this interest is evident in works such as Juan Jose Arreola's Bestiario (1959), Augusto Monterroso's La oveja negra (1969), and the poetry of Eduardo Lizalde and Jose Emilio Pacheco. As Javier Hernandez Quezada explains in "De risas y bestiarios," animals often appear in contexts of violence, whether for consumption, labor, entertainment, or ritual. In more favorable depictions, animals serve as companions. Recent scholarship reflects a growing interest in the emotional bonds between animals and humans. Alejandro Lambarry notes a shift in literature where animals now play central roles, and Hernandez Quezada emphasizes their communicative gestures. Yet, little attention has been given to how Mexican women writers present animals as active subjects and vehicles for social critique.This work initiates a conversation on how women's literature reveals the complexity of animals' lives, their suffering, and the urgency of their protection. As Marian Scholtmeijier argues, women's fiction often affirms "otherness," giving voice to the marginalized, both human and nonhuman. Chapter 1 examines violence and captivity. Chapter 2 links animal voices to indigenous resistance in Chiapas. Chapter 3 critiques machismo, highlighting how women's care for animals becomes an act of mutual liberation. Chapter 4 explores motherhood as a cross-species bond, showing how even insects shape identity and challenge normative views of the female body.
■590 ▼aSchool code: 0031.
■650 4▼aLatin American literature
■650 4▼aCreative writing
■650 4▼aLiterature
■653 ▼aAnimal studies
■653 ▼aAnimales
■653 ▼aEcofeminismo
■653 ▼aEscritoras
■653 ▼aMexicanas
■653 ▼aMexico
■653 ▼aMexican literature
■653 ▼aWomen writers
■690 ▼a0312
■690 ▼a0203
■690 ▼a0401
■71020▼aUniversity of California, Los Angeles▼bSpanish 0882.
■7730 ▼tDissertations Abstracts International▼g86-11A.
■790 ▼a0031
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aSpanish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17357862▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.


