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Making Cents: Intonation Considerations Applied to the Concerto for Double Bass and Orchestra (1905) by Serge Koussevitzky
Making Cents: Intonation Considerations Applied to the Concerto for Double Bass and Orchestra (1905) by Serge Koussevitzky
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105206
- ISBN
- 9798290954080
- DDC
- 780
- 서명/저자
- Making Cents: Intonation Considerations Applied to the Concerto for Double Bass and Orchestra (1905) by Serge Koussevitzky
- 발행사항
- [Sl] : University of North Texas, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 55 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
- 주기사항
- Advisor: Bradetich, Jeff.
- 학위논문주기
- Thesis (D.Mus.A.)--University of North Texas, 2025.
- 초록/해제
- 요약This dissertation aims to identify multiple considerations in establishing accurate, expressive intonation on the double bass and strategies that may allow a double bassist to prepare a more intonationally informed and accurate performance based on the measurement of cents. The dissertation consists of nine chapters, each section to organize the process of implementing informed decisions in intonation based on existing research for intonation of the double bass, stringed instruments, and general intonation in music. Existing research has explored expressive intonation on the double bass and other instruments considering the following categories: (1) the choice of the three main tuning systems of equal temperament, just intonation, and Pythagorean tuning; (2) the use of overtones, sympathetic vibrations, and open strings on the double bass; (3) the involvement of tonal context and beating; (4) the use of melodic tuning, register and timbre's perceived effects on intonation; (5) vibrato's effect on intonation; as well as additional considerations. Direct application of intonation considerations will be made in the first movement of the Concerto for Double Bass and Orchestra (1905) by Serge Koussevitzky, one of the most important bass concertos in the repertoire and widely performed. Existing research is discussed and applied per chapter to selected sections of the first movement of the concerto. In this section, a cent difference is assigned to parts of the concerto to demonstrate different choices in performance regarding each intonation consideration.
- 일반주제명
- Music
- 일반주제명
- Music theory
- 일반주제명
- Musical performances
- 키워드
- Double bass
- 키워드
- Intonation
- 키워드
- Overtones
- 키워드
- Tuning systems
- 키워드
- Open strings
- 기타저자
- University of North Texas Division of Instrumental Studies
- 기본자료저록
- Dissertations Abstracts International. 87-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798290954080
■035 ▼a(MiAaPQ)AAI32262182
■035 ▼a(MiAaPQ)0158vireo4132Williams
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aWilliams, Andrew Cody.
■24510▼aMaking Cents: Intonation Considerations Applied to the Concerto for Double Bass and Orchestra (1905) by Serge Koussevitzky
■260 ▼a[Sl]▼bUniversity of North Texas▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a55 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-02, Section: A.
■500 ▼aAdvisor: Bradetich, Jeff.
■5021 ▼aThesis (D.Mus.A.)--University of North Texas, 2025.
■520 ▼aThis dissertation aims to identify multiple considerations in establishing accurate, expressive intonation on the double bass and strategies that may allow a double bassist to prepare a more intonationally informed and accurate performance based on the measurement of cents. The dissertation consists of nine chapters, each section to organize the process of implementing informed decisions in intonation based on existing research for intonation of the double bass, stringed instruments, and general intonation in music. Existing research has explored expressive intonation on the double bass and other instruments considering the following categories: (1) the choice of the three main tuning systems of equal temperament, just intonation, and Pythagorean tuning; (2) the use of overtones, sympathetic vibrations, and open strings on the double bass; (3) the involvement of tonal context and beating; (4) the use of melodic tuning, register and timbre's perceived effects on intonation; (5) vibrato's effect on intonation; as well as additional considerations. Direct application of intonation considerations will be made in the first movement of the Concerto for Double Bass and Orchestra (1905) by Serge Koussevitzky, one of the most important bass concertos in the repertoire and widely performed. Existing research is discussed and applied per chapter to selected sections of the first movement of the concerto. In this section, a cent difference is assigned to parts of the concerto to demonstrate different choices in performance regarding each intonation consideration.
■590 ▼aSchool code: 0158.
■650 4▼aMusic
■650 4▼aMusic theory
■650 4▼aMusical performances
■653 ▼aDouble bass
■653 ▼aIntonation
■653 ▼aOvertones
■653 ▼aTuning systems
■653 ▼aOpen strings
■653 ▼aSympathetic vibrations
■690 ▼a0943
■690 ▼a0413
■690 ▼a0221
■71020▼aUniversity of North Texas▼bDivision of Instrumental Studies.
■7730 ▼tDissertations Abstracts International▼g87-02A.
■790 ▼a0158
■791 ▼aD.Mus.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359735▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
