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Forms of Becoming: Process Metaphysics in the Works of William Carlos Williams, Charles Olson, Robert Duncan, and Nathaniel Mackey
Forms of Becoming: Process Metaphysics in the Works of William Carlos Williams, Charles Olson, Robert Duncan, and Nathaniel Mackey
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105214
- ISBN
- 9798291564899
- DDC
- 800
- 서명/저자
- Forms of Becoming: Process Metaphysics in the Works of William Carlos Williams, Charles Olson, Robert Duncan, and Nathaniel Mackey
- 발행사항
- [Sl] : University of Michigan, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 247 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
- 주기사항
- Advisor: Levinson, Marjorie.
- 학위논문주기
- Thesis (Ph.D.)--University of Michigan, 2025.
- 초록/해제
- 요약This dissertation investigates how works by the poets William Carlos Williams, Charles Olson, Robert Duncan, and Nathaniel Mackey were inspired by and are examples of process thought, a methodological tendency that has been influential in several academic disciplines, namely philosophy, theology, and ecology, unified by the recognition that the inherent dynamism of all things is ontologically prior to what Western philosophy has tended to think of as the things themselves. This investigation allows me to develop a conception of the relationship between poetry and philosophy that I call the process-emergence schema, in which the activity (or process) of thinking poetry and philosophy together is itself ontologically prior to either poetry or philosophy as discrete disciplines-in other words, that the relationship does not follow from the existence of these two enterprises, but is their requisite condition. I deploy this schema toward reappraising the philosophical sophistication of the poets I study and developing philosophically informed interpretations of their works, as well as toward commenting upon aspects of our critical practice in general, namely, how to interpret open-ended poetry without either reducing it to a monolithic and static meaning or figuring it as metaphysically Other. It also includes an introduction, in which I discuss the relationship between poetry and philosophy by way of differentiating my own view from that of French philosopher Alain Badiou and establish the role of process metaphysics in the history of American poetry. Finally, I conclude the project with a coda addressing Rachel Blau DuPlessis' feminist poetics of process.
- 일반주제명
- Literature
- 일반주제명
- Philosophy
- 일반주제명
- Theology
- 일반주제명
- Metaphysics
- 키워드
- Poetry/poetics
- 기타저자
- University of Michigan English Language & Literature
- 기본자료저록
- Dissertations Abstracts International. 87-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798291564899
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a800
■1001 ▼aPhilbrick, Deven.
■24510▼aForms of Becoming: Process Metaphysics in the Works of William Carlos Williams, Charles Olson, Robert Duncan, and Nathaniel Mackey
■260 ▼a[Sl]▼bUniversity of Michigan▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a247 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-02, Section: A.
■500 ▼aAdvisor: Levinson, Marjorie.
■5021 ▼aThesis (Ph.D.)--University of Michigan, 2025.
■520 ▼aThis dissertation investigates how works by the poets William Carlos Williams, Charles Olson, Robert Duncan, and Nathaniel Mackey were inspired by and are examples of process thought, a methodological tendency that has been influential in several academic disciplines, namely philosophy, theology, and ecology, unified by the recognition that the inherent dynamism of all things is ontologically prior to what Western philosophy has tended to think of as the things themselves. This investigation allows me to develop a conception of the relationship between poetry and philosophy that I call the process-emergence schema, in which the activity (or process) of thinking poetry and philosophy together is itself ontologically prior to either poetry or philosophy as discrete disciplines-in other words, that the relationship does not follow from the existence of these two enterprises, but is their requisite condition. I deploy this schema toward reappraising the philosophical sophistication of the poets I study and developing philosophically informed interpretations of their works, as well as toward commenting upon aspects of our critical practice in general, namely, how to interpret open-ended poetry without either reducing it to a monolithic and static meaning or figuring it as metaphysically Other. It also includes an introduction, in which I discuss the relationship between poetry and philosophy by way of differentiating my own view from that of French philosopher Alain Badiou and establish the role of process metaphysics in the history of American poetry. Finally, I conclude the project with a coda addressing Rachel Blau DuPlessis' feminist poetics of process.
■590 ▼aSchool code: 0127.
■650 4▼aLiterature
■650 4▼aPhilosophy
■650 4▼aTheology
■650 4▼aMetaphysics
■653 ▼aPoetry/poetics
■653 ▼aProcess philosophy
■653 ▼a20th century literature
■653 ▼aWilliams, William Carlos
■690 ▼a0401
■690 ▼a0422
■690 ▼a0469
■690 ▼a0396
■71020▼aUniversity of Michigan▼bEnglish Language & Literature.
■7730 ▼tDissertations Abstracts International▼g87-02A.
■790 ▼a0127
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359788▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
