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Application of Artificial Intelligence and Robotic Musicianship in South Indian Classical Music: Towards an Automatic Accompaniment for the Singing Voice in Carnatic Music
Application of Artificial Intelligence and Robotic Musicianship in South Indian Classical ...
Application of Artificial Intelligence and Robotic Musicianship in South Indian Classical Music: Towards an Automatic Accompaniment for the Singing Voice in Carnatic Music

Detailed Information

자료유형  
 학위논문 서양
최종처리일시  
20260202105557
ISBN  
9798265473493
DDC  
780
저자명  
Sankaranarayanan, Raghavasimhan.
서명/저자  
Application of Artificial Intelligence and Robotic Musicianship in South Indian Classical Music: Towards an Automatic Accompaniment for the Singing Voice in Carnatic Music
발행사항  
[Sl] : Georgia Institute of Technology, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
117 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-06, Section: B.
주기사항  
Advisor: Weinberg, Gil.
학위논문주기  
Thesis (Ph.D.)--Georgia Institute of Technology, 2024.
초록/해제  
요약This work utilizes Artificial Intelligence (AI) and Robotic Musicianship to address challenges specific to the field of Carnatic music - a music form popular in the southern part of India. For the past few decades, music AI and robotic researchers have focused on Western music with only a handful of attempts to address music from other parts of the world such as Carnatic music. This thesis aims to strengthen diversity and reduce bias in the field by researching and developing systems that understand and perform Carnatic music. Moreover, it bears promise to revolutionize productions in Carnatic music by providing software and hardware solutions to support gamakas - pitch-based embellishments which are at the core of this music form. It can also have a significant contribution to education, by introducing a violin-playing robot that can help students understand the nuances of gamaka playing in a repeated and systematic manner. A violin-playing robot can provide a much more accurate and expressive rendition of this music in comparison to software-based emulations. In this work, I designed and developed three tools for musicians and listeners of Carnatic music:1. A 7-degrees-of-freedom violin-playing robot designed to play gamakas2. A system to comprehend and generate gamakas3. A system to use gamakas to automatically accompany a musicianThe robot uses pitch contour data to manipulate the left hand and amplitude contour data to make bow changes and modify dynamics. A system that comprehends and performs Carnatic music should understand how to interpret and create them. To achieve this, I developed GamakaNet - A novel Masked Latent Space Auto-Encoder model to synthesize gamakas for kalpitha swaras (Composed notes) in Carnatic music. A human violinist plays a major role in a typical Carnatic music concert by providing melodic accompaniment. An important characteristic of this music form is impromptu improvisations. One such section is raga alapana - a sequence of short characteristic phrases without rhythms that elevate the mood of a raga. I developed an AI based raga-agnostic algorithm to generate accompaniment for alapana. I additionally developed a clustering-based approach for sequencing characteristic melodic phrases for alapana in a given raga. This is applicable in the solo section of the accompanist during an alapana rendition.With the current Western-centric focus of AI music research, this thesis promises to enhance diversity and minimize bias, by exploring applications of AI and Robotics to the unique elements, datasets, and practices of Carnatic music.
기타저자  
Georgia Institute of Technology.
기본자료저록  
Dissertations Abstracts International. 87-06B.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■1001  ▼aSankaranarayanan,  Raghavasimhan.
■24510▼aApplication  of  Artificial  Intelligence  and  Robotic  Musicianship  in  South  Indian  Classical  Music:  Towards  an  Automatic  Accompaniment  for  the  Singing  Voice  in  Carnatic  Music
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■500    ▼aAdvisor:  Weinberg,  Gil.
■5021  ▼aThesis  (Ph.D.)--Georgia  Institute  of  Technology,  2024.
■520    ▼aThis  work  utilizes  Artificial  Intelligence  (AI)  and  Robotic  Musicianship  to  address  challenges  specific  to  the  field  of  Carnatic  music  -  a  music  form  popular  in  the  southern  part  of  India.  For  the  past  few  decades,  music  AI  and  robotic  researchers  have  focused  on  Western  music  with  only  a  handful  of  attempts  to  address  music  from  other  parts  of  the  world  such  as  Carnatic  music.  This  thesis  aims  to  strengthen  diversity  and  reduce  bias  in  the  field  by  researching  and  developing  systems  that  understand  and  perform  Carnatic  music.  Moreover,  it  bears  promise  to  revolutionize  productions  in  Carnatic  music  by  providing  software  and  hardware  solutions  to  support  gamakas  -  pitch-based  embellishments  which  are  at  the  core  of  this  music  form.  It  can  also  have  a  significant  contribution  to  education,  by  introducing  a  violin-playing  robot  that  can  help  students  understand  the  nuances  of  gamaka  playing  in  a  repeated  and  systematic  manner.  A  violin-playing  robot  can  provide  a  much  more  accurate  and  expressive  rendition  of  this  music  in  comparison  to  software-based  emulations.  In  this  work,  I  designed  and  developed  three  tools  for  musicians  and  listeners  of  Carnatic  music:1.  A  7-degrees-of-freedom  violin-playing  robot  designed  to  play  gamakas2.  A  system  to  comprehend  and  generate  gamakas3.  A  system  to  use  gamakas  to  automatically  accompany  a  musicianThe  robot  uses  pitch  contour  data  to  manipulate  the  left  hand  and  amplitude  contour  data  to  make  bow  changes  and  modify  dynamics.  A  system  that  comprehends  and  performs  Carnatic  music  should  understand  how  to  interpret  and  create  them.  To  achieve  this,  I  developed  GamakaNet  -  A  novel  Masked  Latent  Space  Auto-Encoder  model  to  synthesize  gamakas  for  kalpitha  swaras  (Composed  notes)  in  Carnatic  music.  A  human  violinist  plays  a  major  role  in  a  typical  Carnatic  music  concert  by  providing  melodic  accompaniment.  An  important  characteristic  of  this  music  form  is  impromptu  improvisations.  One  such  section  is  raga  alapana  -  a  sequence  of  short  characteristic  phrases  without  rhythms  that  elevate  the  mood  of  a  raga.  I  developed  an  AI  based  raga-agnostic  algorithm  to  generate  accompaniment  for  alapana.  I  additionally  developed  a  clustering-based  approach  for  sequencing  characteristic  melodic  phrases  for  alapana  in  a  given  raga.  This  is  applicable  in  the  solo  section  of  the  accompanist  during  an  alapana  rendition.With  the  current  Western-centric  focus  of  AI  music  research,  this  thesis  promises  to  enhance  diversity  and  minimize  bias,  by  exploring  applications  of  AI  and  Robotics  to  the  unique  elements,  datasets,  and  practices  of  Carnatic  music.
■590    ▼aSchool  code:  0078.
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■71020▼aGeorgia  Institute  of  Technology.
■7730  ▼tDissertations  Abstracts  International▼g87-06B.
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■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360623▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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