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Bridging Cultures: A Study of Selected Contemporary Piano Works by Hong Kong Composers
Bridging Cultures: A Study of Selected Contemporary Piano Works by Hong Kong Composers
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202102958
- ISBN
- 9798280720053
- DDC
- 780
- 저자명
- Ho, Kwan Yi.
- 서명/저자
- Bridging Cultures: A Study of Selected Contemporary Piano Works by Hong Kong Composers
- 발행사항
- [Sl] : The Florida State University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 91 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-12, Section: A.
- 주기사항
- Advisor: Kalhous, David.
- 학위논문주기
- Thesis (D.M.)--The Florida State University, 2025.
- 초록/해제
- 요약This treatise examines selected compositions by five Hong Kong composers: Doming Lam, Austin Yip, Kai-Young Chan, Joyce Tang, and Ka Shu (Kenneth) Tam. It is derived from two lecture recitals presented at Florida State University. Chapter One focuses on piano works by Doming Lam, specifically Seven Popular Chinese Folk Songs, Op. 11, No. 1, the Prelude from Prelude and Scherzo, Op. 4, and Gu-chu Piano Suite, Op. 12. It explores Lam's distinctive approach to transcribing traditional Chinese music for piano, integrating twentieth-century Western idioms, such as clusters and asymmetrical meter, with traditional Chinese musical elements, including jiahua, changhe, heterophonic texture, and techniques derived from Chinese musical instruments and regional operas. Chapters Two through Five analyze individual works by Yip ("Tube"), Chan ("Moon over Pyrus Blossom"), Tang ("Old Posters, near Yung Shue Wan, Lamma Island"), and Tam ("Reaction III"). These chapters investigate how each composer incorporates aspects of Hong Kong culture, including Cantonese musical elements and the suppression of the language, inefficiencies in daily life, changes in societal structures and urban scenery, as well as social issues arising from COVID-19 and the rise of political movements, into their music using contemporary compositional techniques. This treatise highlights the dynamic interplay between cultural identity and modern compositional practice, offering new perspectives on Hong Kong's contemporary piano repertoire.
- 일반주제명
- Music
- 일반주제명
- Performing arts
- 일반주제명
- Musical composition
- 일반주제명
- Musical performances
- 키워드
- Yip, Austin
- 키워드
- Musical elements
- 키워드
- Piano works
- 기타저자
- The Florida State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■040 ▼aMiAaPQ▼cMiAaPQ
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■1001 ▼aHo, Kwan Yi.▼0(orcid)0009-0008-0745-3017
■24510▼aBridging Cultures: A Study of Selected Contemporary Piano Works by Hong Kong Composers
■260 ▼a[Sl]▼bThe Florida State University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a91 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-12, Section: A.
■500 ▼aAdvisor: Kalhous, David.
■5021 ▼aThesis (D.M.)--The Florida State University, 2025.
■520 ▼aThis treatise examines selected compositions by five Hong Kong composers: Doming Lam, Austin Yip, Kai-Young Chan, Joyce Tang, and Ka Shu (Kenneth) Tam. It is derived from two lecture recitals presented at Florida State University. Chapter One focuses on piano works by Doming Lam, specifically Seven Popular Chinese Folk Songs, Op. 11, No. 1, the Prelude from Prelude and Scherzo, Op. 4, and Gu-chu Piano Suite, Op. 12. It explores Lam's distinctive approach to transcribing traditional Chinese music for piano, integrating twentieth-century Western idioms, such as clusters and asymmetrical meter, with traditional Chinese musical elements, including jiahua, changhe, heterophonic texture, and techniques derived from Chinese musical instruments and regional operas. Chapters Two through Five analyze individual works by Yip ("Tube"), Chan ("Moon over Pyrus Blossom"), Tang ("Old Posters, near Yung Shue Wan, Lamma Island"), and Tam ("Reaction III"). These chapters investigate how each composer incorporates aspects of Hong Kong culture, including Cantonese musical elements and the suppression of the language, inefficiencies in daily life, changes in societal structures and urban scenery, as well as social issues arising from COVID-19 and the rise of political movements, into their music using contemporary compositional techniques. This treatise highlights the dynamic interplay between cultural identity and modern compositional practice, offering new perspectives on Hong Kong's contemporary piano repertoire.
■590 ▼aSchool code: 0071.
■650 4▼aMusic
■650 4▼aPerforming arts
■650 4▼aMusical composition
■650 4▼aMusical performances
■653 ▼aYip, Austin
■653 ▼aCultural identity
■653 ▼aMusical elements
■653 ▼aCompositional techniques
■653 ▼aPiano works
■690 ▼a0413
■690 ▼a0641
■690 ▼a0214
■690 ▼a0943
■71020▼aThe Florida State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-12A.
■790 ▼a0071
■791 ▼aD.M.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17356589▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
