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Conceptualizing Success in a School Music Program Where Racism and Classism Intersect
Conceptualizing Success in a School Music Program Where Racism and Classism Intersect
Conceptualizing Success in a School Music Program Where Racism and Classism Intersect

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자료유형  
 학위논문 서양
최종처리일시  
20260202105104
ISBN  
9798290950501
DDC  
780.7
저자명  
Scaramuzzo, Alicia Marie.
서명/저자  
Conceptualizing Success in a School Music Program Where Racism and Classism Intersect
발행사항  
[Sl] : Boston University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
308 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
주기사항  
Advisor: Bates, Vincent C.
학위논문주기  
Thesis (D.M.A.)--Boston University, 2025.
초록/해제  
요약This autoethnographic dissertation explores how I conceptualize success in a public-school music program shaped by the intersecting influences of racism, classism, and deficit-based ideologies. Drawing from my experiences as a white, middle-class music educator in a predominantly Black, low socioeconomic status (SES) school, I examine how conventional music education standards, which are grounded in elite Eurocentric traditions, fail to reflect the cultural wealth and artistic expression of students from marginalized communities. Rooted in critical theory, culturally sustaining pedagogy, and antiracist education, I interrogate the ideological and structural forces that constrain student success and critique the dominance of standardized assessments rooted in Western classical paradigms. Through narrative inquiry and critical self-reflection, I explore alternative, asset-based approaches that affirm student voice, resilience, creativity, and community engagement as valid and powerful indicators of musical and educational success. Based on these findings, I contribute perspectives that may assist other educators in challenging structural limitations and affirming the cultural strengths of their students through more inclusive approaches to music teaching and learning.
일반주제명  
Music education
일반주제명  
Music
일반주제명  
Pedagogy
키워드  
Socioeconomic status
키워드  
Autoethnography
키워드  
Racism
키워드  
Classism
키워드  
Music teaching
기타저자  
Boston University Music Education CFA
기본자료저록  
Dissertations Abstracts International. 87-02A.
전자적 위치 및 접속  
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MARC

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■1001  ▼aScaramuzzo,  Alicia  Marie.▼0(orcid)0000-0002-9138-5262
■24510▼aConceptualizing  Success  in  a  School  Music  Program  Where  Racism  and  Classism  Intersect
■260    ▼a[Sl]▼bBoston  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a308  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-02,  Section:  A.
■500    ▼aAdvisor:  Bates,  Vincent  C.
■5021  ▼aThesis  (D.M.A.)--Boston  University,  2025.
■520    ▼aThis  autoethnographic  dissertation  explores  how  I  conceptualize  success  in  a  public-school  music  program  shaped  by  the  intersecting  influences  of  racism,  classism,  and  deficit-based  ideologies.  Drawing  from  my  experiences  as  a  white,  middle-class  music  educator  in  a  predominantly  Black,  low  socioeconomic  status  (SES)  school,  I  examine  how  conventional  music  education  standards,  which  are  grounded  in  elite  Eurocentric  traditions,  fail  to  reflect  the  cultural  wealth  and  artistic  expression  of  students  from  marginalized  communities.  Rooted  in  critical  theory,  culturally  sustaining  pedagogy,  and  antiracist  education,  I  interrogate  the  ideological  and  structural  forces  that  constrain  student  success  and  critique  the  dominance  of  standardized  assessments  rooted  in  Western  classical  paradigms.  Through  narrative  inquiry  and  critical  self-reflection,  I  explore  alternative,  asset-based  approaches  that  affirm  student  voice,  resilience,  creativity,  and  community  engagement  as  valid  and  powerful  indicators  of  musical  and  educational  success.  Based  on  these  findings,  I  contribute  perspectives  that  may  assist  other  educators  in  challenging  structural  limitations  and  affirming  the  cultural  strengths  of  their  students  through  more  inclusive  approaches  to  music  teaching  and  learning.
■590    ▼aSchool  code:  0017.
■650  4▼aMusic  education
■650  4▼aMusic
■650  4▼aPedagogy
■653    ▼aSocioeconomic  status
■653    ▼aAutoethnography
■653    ▼aRacism
■653    ▼aClassism
■653    ▼aMusic  teaching
■690    ▼a0522
■690    ▼a0456
■690    ▼a0413
■71020▼aBoston  University▼bMusic  Education  CFA.
■7730  ▼tDissertations  Abstracts  International▼g87-02A.
■790    ▼a0017
■791    ▼aD.M.A.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359336▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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