본문

서브메뉴

The Operatic Influences and Aspects of Richard Strauss' Concerto for Oboe and Small Orchestra
The Operatic Influences and Aspects of Richard Strauss' Concerto for Oboe and Small Orches...
The Operatic Influences and Aspects of Richard Strauss' Concerto for Oboe and Small Orchestra

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202103008
ISBN  
9798280721418
DDC  
780
저자명  
Kanipe, Nicholas Anthony.
서명/저자  
The Operatic Influences and Aspects of Richard Strauss Concerto for Oboe and Small Orchestra
발행사항  
[Sl] : The Florida State University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
70 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-12, Section: A.
주기사항  
Advisor: Ohlsson, Eric.
학위논문주기  
Thesis (D.M.)--The Florida State University, 2025.
초록/해제  
요약Richard Strauss enjoyed one of the longest and most prolific careers of any composer in the history of Western Art Music. His works, from his operas to his tone poems to his concertos, are still performed frequently to this day, and pieces such as Also Sprach Zarathustra have even become iconic within the world of pop culture. Many of Strauss' pieces hold special places in the hearts of oboists around the world due to his wonderful, albeit difficult, melodic and solo writing for the oboe. No piece is more emblematic of this than his Concerto for Oboe and Small Orchestra. Strauss' fame did not arise from his oboe concerto, however. Rather, Strauss' fame and enduring legacy are due in large part to his exceptional career as an opera composer. Strauss' operas are among his most famous works, if not his most famous. Two of his most popular operas are Salome and Der Rosenkavalier which are still frequently performed to this day. Naturally, elements of Strauss' operatic compositions can be seen in his works of other genres. The Concerto for Oboe and Small Orchestra is an example of a work bearing operatic elements, and the operatic elements of this concerto are of foundational importance. As such, the purpose of this treatise is to identify and discuss various elements from Strauss' oboe concerto that can be labeled as operatic. Additionally, this treatise will draw comparisons between Strauss' oboe concerto and his own operas or operas of other composers where appropriate to aid in the clarity of the connections between Strauss' oboe concerto and the operatic genre. Beyond identifying and discussing these elements of the concerto, this treatise is intended to provide future performers of the concerto with a tool to further inform their understanding of the piece. Referring to a piece as "operatic" is sometimes an abstract or difficult to define concept. While this treatise is not an all-encompassing analysis of the concerto or even its operatic elements, it is my intention that the information contained within will give tangible meaning to the idea of the concerto being operatic.
일반주제명  
Music
일반주제명  
Performing arts
일반주제명  
Musical composition
키워드  
Western Art Music
키워드  
Motives
키워드  
Oboe concerto
키워드  
Strauss' operas
키워드  
Composers
기타저자  
The Florida State University Music
기본자료저록  
Dissertations Abstracts International. 86-12A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

 008260126s2025        us                              c    eng  d
■001000017356642
■00520260202103008
■006m          o    d                
■007cr#unu||||||||
■020    ▼a9798280721418
■035    ▼a(MiAaPQ)AAI31842107
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a780
■1001  ▼aKanipe,  Nicholas  Anthony.▼0(orcid)0009-0000-6820-7217
■24510▼aThe  Operatic  Influences  and  Aspects  of  Richard  Strauss'  Concerto  for  Oboe  and  Small  Orchestra
■260    ▼a[Sl]▼bThe  Florida  State  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a70  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-12,  Section:  A.
■500    ▼aAdvisor:  Ohlsson,  Eric.
■5021  ▼aThesis  (D.M.)--The  Florida  State  University,  2025.
■520    ▼aRichard  Strauss  enjoyed  one  of  the  longest  and  most  prolific  careers  of  any  composer  in  the  history  of  Western  Art  Music.  His  works,  from  his  operas  to  his  tone  poems  to  his  concertos,  are  still  performed  frequently  to  this  day,  and  pieces  such  as  Also  Sprach  Zarathustra  have  even  become  iconic  within  the  world  of  pop  culture.  Many  of  Strauss'  pieces  hold  special  places  in  the  hearts  of  oboists  around  the  world  due  to  his  wonderful,  albeit  difficult,  melodic  and  solo  writing  for  the  oboe.  No  piece  is  more  emblematic  of  this  than  his  Concerto  for  Oboe  and  Small  Orchestra.  Strauss'  fame  did  not  arise  from  his  oboe  concerto,  however.  Rather,  Strauss'  fame  and  enduring  legacy  are  due  in  large  part  to  his  exceptional  career  as  an  opera  composer.  Strauss'  operas  are  among  his  most  famous  works,  if  not  his  most  famous.  Two  of  his  most  popular  operas  are  Salome  and  Der  Rosenkavalier  which  are  still  frequently  performed  to  this  day.  Naturally,  elements  of  Strauss'  operatic  compositions  can  be  seen  in  his  works  of  other  genres.  The  Concerto  for  Oboe  and  Small  Orchestra  is  an  example  of  a  work  bearing  operatic  elements,  and  the  operatic  elements  of  this  concerto  are  of  foundational  importance.  As  such,  the  purpose  of  this  treatise  is  to  identify  and  discuss  various  elements  from  Strauss'  oboe  concerto  that  can  be  labeled  as  operatic.  Additionally,  this  treatise  will  draw  comparisons  between  Strauss'  oboe  concerto  and  his  own  operas  or  operas  of  other  composers  where  appropriate  to  aid  in  the  clarity  of  the  connections  between  Strauss'  oboe  concerto  and  the  operatic  genre.  Beyond  identifying  and  discussing  these  elements  of  the  concerto,  this  treatise  is  intended  to  provide  future  performers  of  the  concerto  with  a  tool  to  further  inform  their  understanding  of  the  piece.  Referring  to  a  piece  as  "operatic"  is  sometimes  an  abstract  or  difficult  to  define  concept.  While  this  treatise  is  not  an  all-encompassing  analysis  of  the  concerto  or  even  its  operatic  elements,  it  is  my  intention  that  the  information  contained  within  will  give  tangible  meaning  to  the  idea  of  the  concerto  being  operatic.
■590    ▼aSchool  code:  0071.
■650  4▼aMusic
■650  4▼aPerforming  arts
■650  4▼aMusical  composition
■653    ▼aWestern  Art  Music
■653    ▼aMotives
■653    ▼aOboe  concerto
■653    ▼aStrauss'  operas
■653    ▼aComposers
■690    ▼a0413
■690    ▼a0641
■690    ▼a0214
■71020▼aThe  Florida  State  University▼bMusic.
■7730  ▼tDissertations  Abstracts  International▼g86-12A.
■790    ▼a0071
■791    ▼aD.M.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17356642▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

미리보기

내보내기

chatGPT토론

Ai 추천 관련 도서


    신착도서 더보기
    최근 3년간 통계입니다.

    소장정보

    • 예약
    • 소재불명신고
    • 나의폴더
    • 우선정리요청
    • 비도서대출신청
    • 야간 도서대출신청
    소장자료
    등록번호 청구기호 소장처 대출가능여부 대출정보
    TF15550 전자도서 대출가능 마이폴더 부재도서신고 비도서대출신청 야간 도서대출신청

    * 대출중인 자료에 한하여 예약이 가능합니다. 예약을 원하시면 예약버튼을 클릭하십시오.

    해당 도서를 다른 이용자가 함께 대출한 도서

    관련 인기도서

    로그인 후 이용 가능합니다.