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Materializing Enslavement in Classical and Hellenistic Greece: An Object Itinerary From Laurion to Kalaureia
Materializing Enslavement in Classical and Hellenistic Greece: An Object Itinerary From La...
Materializing Enslavement in Classical and Hellenistic Greece: An Object Itinerary From Laurion to Kalaureia

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자료유형  
 학위논문 서양
최종처리일시  
20260202105111
ISBN  
9798293893461
DDC  
571
저자명  
Eriksson, Sara Johanna.
서명/저자  
Materializing Enslavement in Classical and Hellenistic Greece: An Object Itinerary From Laurion to Kalaureia
발행사항  
[Sl] : University of California, Berkeley, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
148 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-04, Section: A.
주기사항  
Advisor: Wilkie, Laurie A.
학위논문주기  
Thesis (Ph.D.)--University of California, Berkeley, 2025.
초록/해제  
요약This dissertation proposes an approach to studying social difference based on any kind of archaeological material, be it fragmentary or intact, with or without context, from a recent excavation or from a legacy collection. In a society where enslaved labor was used in all aspects of life, all parts of the archaeological record preserve traces of the forced labor that went into creating it. Taking an assemblage of lead clamps that were once used to repair ceramics at the Sanctuary of Poseidon at Kalaureia, Poros, Greece, as my case study, I ask how I as an archaeologist can follow these traces and make the unfree labor that created the Classical and Hellenistic world visible again.Instead of focusing on separate objects and attempting to tie them to individual enslaved lives, I suggest looking at the different materials that make up the objects. Drawing on theories of agency, practice and assemblages, I see that these materials are in a constant state of flux, only temporarily congealing together in different combinations - one of which is the object I study. By tracing the itinerary that brought the lead to Kalaureia, I can think through the actions that created this specific congealment, and the enslaved and free, human and non-human agents that would have contributed to those actions. A central part of the approach is to refocus the archaeological gaze from presuming that the free body is the normative body, and instead center enslavement as a normative experience in ancient Greek society. Through putting new materialist theorization in conversation with approaches developed in studies of Transatlantic slavery, this project bridges the gap between anthropological and classical archaeology. Although ancient Greece represents a different temporality, theories of racialization and Black feminist thought provide tools for understanding how some groups become constructed as less-than-human and therefore come to occupy spaces of inequality. Applying an intersectional lens shows how these spaces are differentially experienced depending on factors such as gender, skill, age, and ethnicity. By doing this, the project contributes to current developments of theories of materiality, which posit that humans, non-human animals, objects, time and place come together and intra-act as an assemblage to produce what we see as continuity and change in historical time scales.
일반주제명  
Archaeology
일반주제명  
Ancient history
일반주제명  
Gender studies
일반주제명  
Classical studies
키워드  
Ancient Greece
키워드  
Inequality
키워드  
Lead
키워드  
Slavery
키워드  
Black feminist thought
기타저자  
University of California, Berkeley Anthropology
기본자료저록  
Dissertations Abstracts International. 87-04A.
전자적 위치 및 접속  
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MARC

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■1001  ▼aEriksson,  Sara  Johanna.
■24510▼aMaterializing  Enslavement  in  Classical  and  Hellenistic  Greece:  An  Object  Itinerary  From  Laurion  to  Kalaureia
■260    ▼a[Sl]▼bUniversity  of  California,  Berkeley▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a148  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-04,  Section:  A.
■500    ▼aAdvisor:  Wilkie,  Laurie  A.
■5021  ▼aThesis  (Ph.D.)--University  of  California,  Berkeley,  2025.
■520    ▼aThis  dissertation  proposes  an  approach  to  studying  social  difference  based  on  any  kind  of  archaeological  material,  be  it  fragmentary  or  intact,  with  or  without  context,  from  a  recent  excavation  or  from  a  legacy  collection.  In  a  society  where  enslaved  labor  was  used  in  all  aspects  of  life,  all  parts  of  the  archaeological  record  preserve  traces  of  the  forced  labor  that  went  into  creating  it.  Taking  an  assemblage  of  lead  clamps  that  were  once  used  to  repair  ceramics  at  the  Sanctuary  of  Poseidon  at  Kalaureia,  Poros,  Greece,  as  my  case  study,  I  ask  how  I  as  an  archaeologist  can  follow  these  traces  and  make  the  unfree  labor  that  created  the  Classical  and  Hellenistic  world  visible  again.Instead  of  focusing  on  separate  objects  and  attempting  to  tie  them  to  individual  enslaved  lives,  I  suggest  looking  at  the  different  materials  that  make  up  the  objects.  Drawing  on  theories  of  agency,  practice  and  assemblages,  I  see  that  these  materials  are  in  a  constant  state  of  flux,  only  temporarily  congealing  together  in  different  combinations  -  one  of  which  is  the  object  I  study.  By  tracing  the  itinerary  that  brought  the  lead  to  Kalaureia,  I  can  think  through  the  actions  that  created  this  specific  congealment,  and  the  enslaved  and  free,  human  and  non-human  agents  that  would  have  contributed  to  those  actions.  A  central  part  of  the  approach  is  to  refocus  the  archaeological  gaze  from  presuming  that  the  free  body  is  the  normative  body,  and  instead  center  enslavement  as  a  normative  experience  in  ancient  Greek  society. Through  putting  new  materialist  theorization  in  conversation  with  approaches  developed  in  studies  of  Transatlantic  slavery,  this  project  bridges  the  gap  between  anthropological  and  classical  archaeology.  Although  ancient  Greece  represents  a  different  temporality,  theories  of  racialization  and  Black  feminist  thought  provide  tools  for  understanding  how  some  groups  become  constructed  as  less-than-human  and  therefore  come  to  occupy  spaces  of  inequality.  Applying  an  intersectional  lens  shows  how  these  spaces  are  differentially  experienced  depending  on  factors  such  as  gender,  skill,  age,  and  ethnicity.  By  doing  this,  the  project  contributes  to  current  developments  of  theories  of  materiality,  which  posit  that  humans,  non-human  animals,  objects,  time  and  place  come  together  and  intra-act  as  an  assemblage  to  produce  what  we  see  as  continuity  and  change  in  historical  time  scales.
■590    ▼aSchool  code:  0028.
■650  4▼aArchaeology
■650  4▼aAncient  history
■650  4▼aGender  studies
■650  4▼aClassical  studies
■653    ▼aAncient  Greece
■653    ▼aInequality
■653    ▼aLead
■653    ▼aSlavery
■653    ▼aBlack  feminist  thought
■690    ▼a0324
■690    ▼a0579
■690    ▼a0733
■690    ▼a0434
■71020▼aUniversity  of  California,  Berkeley▼bAnthropology.
■7730  ▼tDissertations  Abstracts  International▼g87-04A.
■790    ▼a0028
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359380▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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