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Procession Into the Dark
Procession Into the Dark
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105117
- ISBN
- 9798270227005
- DDC
- 781
- 저자명
- Schell, Paul.
- 서명/저자
- Procession Into the Dark
- 발행사항
- [Sl] : The University of Arizona, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 162 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-06, Section: A.
- 주기사항
- Advisor: Asia, Daniel.
- 학위논문주기
- Thesis (D.M.A.)--The University of Arizona, 2025.
- 초록/해제
- 요약Procession into the Dark is an orchestral work that demonstrates a compositional method I have devised for generating harmonies. This method involves the combination of contrasting scales to produce a series of chords that are then used as the piece's harmonic foundation. For Procession into the Dark, 5 contrasting synthetic scales have been employed to generate a series of 8 pentachords.The 5 synthetic scales and 8 pentachords are subjected to various processes, with each process forming a section or subsection of the piece. Homophonic material is kept to a minimum; foreground melody only appears about two thirds of the way through the music. Instead, homorhythm and polyphony pervade as the primary vehicles for the presentation of the pentachords and synthetic scales. Inspiration has been drawn from numerous composers-many of them Minimalist in style-to assist in the maintaining of interest amid the absence of melody.The result of the withholding of melodic material is twofold; in addition to the prioritization of chordal and scalar content described above, I also intend to elicit a sensation of delayed gratification via the unfolding of the large-scale structure of the piece. The aesthetic purpose of Procession into the Dark is to provide an experience that is, perhaps, exclusive to long durations of music; in this case, the delayed arrival of melody is meant to serve as a reward for the time invested before its appearance.
- 일반주제명
- Musical composition
- 일반주제명
- Music
- 일반주제명
- Music theory
- 키워드
- Art
- 키워드
- Classical
- 키워드
- Minimalism
- 키워드
- Orchestra
- 키워드
- Score
- 키워드
- Symphony
- 기타저자
- The University of Arizona Music
- 기본자료저록
- Dissertations Abstracts International. 87-06A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520260202105117
■006m o d
■007cr#unu||||||||
■020 ▼a9798270227005
■035 ▼a(MiAaPQ)AAI32237806
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aSchell, Paul.
■24510▼aProcession Into the Dark
■260 ▼a[Sl]▼bThe University of Arizona▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a162 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-06, Section: A.
■500 ▼aAdvisor: Asia, Daniel.
■5021 ▼aThesis (D.M.A.)--The University of Arizona, 2025.
■520 ▼aProcession into the Dark is an orchestral work that demonstrates a compositional method I have devised for generating harmonies. This method involves the combination of contrasting scales to produce a series of chords that are then used as the piece's harmonic foundation. For Procession into the Dark, 5 contrasting synthetic scales have been employed to generate a series of 8 pentachords.The 5 synthetic scales and 8 pentachords are subjected to various processes, with each process forming a section or subsection of the piece. Homophonic material is kept to a minimum; foreground melody only appears about two thirds of the way through the music. Instead, homorhythm and polyphony pervade as the primary vehicles for the presentation of the pentachords and synthetic scales. Inspiration has been drawn from numerous composers-many of them Minimalist in style-to assist in the maintaining of interest amid the absence of melody.The result of the withholding of melodic material is twofold; in addition to the prioritization of chordal and scalar content described above, I also intend to elicit a sensation of delayed gratification via the unfolding of the large-scale structure of the piece. The aesthetic purpose of Procession into the Dark is to provide an experience that is, perhaps, exclusive to long durations of music; in this case, the delayed arrival of melody is meant to serve as a reward for the time invested before its appearance.
■590 ▼aSchool code: 0009.
■650 4▼aMusical composition
■650 4▼aMusic
■650 4▼aMusic theory
■653 ▼aArt
■653 ▼aClassical
■653 ▼aMinimalism
■653 ▼aOrchestra
■653 ▼aScore
■653 ▼aSymphony
■690 ▼a0214
■690 ▼a0413
■690 ▼a0221
■71020▼aThe University of Arizona▼bMusic.
■7730 ▼tDissertations Abstracts International▼g87-06A.
■790 ▼a0009
■791 ▼aD.M.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359425▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
