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Rediscovering Charles Samuel Bovy-Lysberg: A Journey Through Romantic Swiss Piano Works
Rediscovering Charles Samuel Bovy-Lysberg: A Journey Through Romantic Swiss Piano Works
Rediscovering Charles Samuel Bovy-Lysberg: A Journey Through Romantic Swiss Piano Works

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202105118
ISBN  
9798293815920
DDC  
780
저자명  
Sheckler, Harrison.
서명/저자  
Rediscovering Charles Samuel Bovy-Lysberg: A Journey Through Romantic Swiss Piano Works
발행사항  
[Sl] : The University of Arizona, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
37 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
주기사항  
Advisor: Brobeck, John T.
학위논문주기  
Thesis (D.M.A.)--The University of Arizona, 2025.
초록/해제  
요약This document explores the life and music of Charles Samuel Bovy-Lysberg (1821-1873), situating his work within the broader context of the Romantic era. Bovy-Lysberg's compositions draw considerable inspiration from Frederic Chopin and Franz Liszt as well as other composers including Felix Mendelssohn-an inheritance that emerges in his lyrical melodies, sophisticated harmonic language, and expressive piano writing. By weaving these influences into a distinctly personal style, Bovy-Lysberg's music embodies quintessential Romantic ideals while showcasing an individuality that merits greater recognition.This study focuses on three of his works from an output of over 150 solo piano pieces, analyzing their melodic and structural elements in comparison with similar Romantic repertoire-such as Mendelssohn's Songs Without Words, Chopin's Nocturnes, and Liszt's character pieces. By examining how Bovy-Lysberg's music balances cantabile expression with technical virtuosity, this critical essay contends that his compositions belong alongside the widely performed Romantic piano canon. Through comparative analysis, this critical essay highlights the influence of Chopin's, Liszt's, and Mendelssohn's pianistic innovations on Bovy-Lysberg's writing, affirming his artistic contribution beyond his native Switzerland.Ultimately, this critical essay aims to reintroduce Bovy-Lysberg to modern scholarship, positioning him not as a Swiss composer with only regional significance, but as an overlooked Romantic figure whose music merits renewed attention.
일반주제명  
Music
일반주제명  
Musical performances
일반주제명  
Music history
키워드  
Bovy-Lysberg, Charles Samuel
키워드  
Liszt, Franz
키워드  
Chopin, Frederic
키워드  
Piano
키워드  
Romantic period
키워드  
Switzerland
기타저자  
The University of Arizona Music
기본자료저록  
Dissertations Abstracts International. 87-03A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■1001  ▼aSheckler,  Harrison.▼0(orcid)0009-0003-4231-3822
■24510▼aRediscovering  Charles  Samuel  Bovy-Lysberg:  A  Journey  Through  Romantic  Swiss  Piano  Works
■260    ▼a[Sl]▼bThe  University  of  Arizona▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a37  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-03,  Section:  A.
■500    ▼aAdvisor:  Brobeck,  John  T.
■5021  ▼aThesis  (D.M.A.)--The  University  of  Arizona,  2025.
■520    ▼aThis  document  explores  the  life  and  music  of  Charles  Samuel  Bovy-Lysberg  (1821-1873),  situating  his  work  within  the  broader  context  of  the  Romantic  era.  Bovy-Lysberg's  compositions  draw  considerable  inspiration  from  Frederic  Chopin  and  Franz  Liszt  as  well  as  other  composers  including  Felix  Mendelssohn-an  inheritance  that  emerges  in  his  lyrical  melodies,  sophisticated  harmonic  language,  and  expressive  piano  writing.  By  weaving  these  influences  into  a  distinctly  personal  style,  Bovy-Lysberg's  music  embodies  quintessential  Romantic  ideals  while  showcasing  an  individuality  that  merits  greater  recognition.This  study  focuses  on  three  of  his  works  from  an  output  of  over  150  solo  piano  pieces,  analyzing  their  melodic  and  structural  elements  in  comparison  with  similar  Romantic  repertoire-such  as  Mendelssohn's  Songs  Without  Words,  Chopin's  Nocturnes,  and  Liszt's  character  pieces.  By  examining  how  Bovy-Lysberg's  music  balances  cantabile  expression  with  technical  virtuosity,  this  critical  essay  contends  that  his  compositions  belong  alongside  the  widely  performed  Romantic  piano  canon.  Through  comparative  analysis,  this  critical  essay  highlights  the  influence  of  Chopin's,  Liszt's,  and  Mendelssohn's  pianistic  innovations  on  Bovy-Lysberg's  writing,  affirming  his  artistic  contribution  beyond  his  native  Switzerland.Ultimately,  this  critical  essay  aims  to  reintroduce  Bovy-Lysberg  to  modern  scholarship,  positioning  him  not  as  a  Swiss  composer  with  only  regional  significance,  but  as  an  overlooked  Romantic  figure  whose  music  merits  renewed  attention.
■590    ▼aSchool  code:  0009.
■650  4▼aMusic
■650  4▼aMusical  performances
■650  4▼aMusic  history
■653    ▼aBovy-Lysberg,  Charles  Samuel
■653    ▼aLiszt,  Franz
■653    ▼aChopin,  Frederic
■653    ▼aPiano
■653    ▼aRomantic  period
■653    ▼aSwitzerland
■690    ▼a0943
■690    ▼a0413
■690    ▼a0208
■71020▼aThe  University  of  Arizona▼bMusic.
■7730  ▼tDissertations  Abstracts  International▼g87-03A.
■790    ▼a0009
■791    ▼aD.M.A.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359433▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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