서브메뉴
검색
The Armenian Azgagrakan Movement: An Ethnographic History of Music Revival in the Aftermath of Genocide and Sovietization
The Armenian Azgagrakan Movement: An Ethnographic History of Music Revival in the Aftermath of Genocide and Sovietization
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105643
- ISBN
- 9798270220150
- DDC
- 780
- 저자명
- Adamian, Armen.
- 서명/저자
- The Armenian Azgagrakan Movement: An Ethnographic History of Music Revival in the Aftermath of Genocide and Sovietization
- 발행사항
- [Sl] : University of California, Los Angeles, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 373 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-06, Section: A.
- 주기사항
- Advisor: Morcom, Anna Frances;Taylor, Timothy D.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Los Angeles, 2025.
- 초록/해제
- 요약This dissertation examines why Armenians deploy azgagrakan performance as a means of articulating survival and resistance against enduring regimes of domination. I investigate this phenomenon through an ethnographic and historical inquiry into the social significance of azgagrakan music and dance, situated at the intersection of post-genocide and post-Soviet geopolitics. I compile a genealogy of azgagrakan performance, tracing the emergence of the practice across particular historical moments from the formation of the first Armenian folk ensembles in the early Soviet period to the development of a burgeoning folklore revival movement still active in the Armenian Republic today. In historicizing azgagrakan performance, I examine how its meanings and stakes have shifted across four key periods: 1) the early Soviet period (1922-1953); 2) the post-Stalin period (1953-1988); 3) the First Karabakh War amid Soviet collapse and the formation of the Armenian Republic (1988-2020); and 4) the era marked by the crisis and aftermath of the Second Karabakh War (2020-present). By exploring azgagrakan practice and discourse within these historical moments, I demonstrate how the mission to revive rural folk music and dance underwent multiple transformations itself in the process of reshaping the profile of Armenian musical-choreographic expression in the post-Soviet Republic. Overall, I argue that the politics of azgagrakan performance sheds light on multiple histories of subjugation and resistance, revealing how structural legacies of imperial-colonial violence are aesthetically inscribed and contested through musical constructions of Armenian folklore.
- 일반주제명
- Music
- 일반주제명
- Political science
- 일반주제명
- History
- 일반주제명
- Folklore
- 일반주제명
- Dance
- 키워드
- Ethnography
- 키워드
- Folk
- 키워드
- Azgagrakan music
- 기타저자
- University of California, Los Angeles Ethnomusicology 0472
- 기본자료저록
- Dissertations Abstracts International. 87-06A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
008260126s2025 us c eng d■001000017360950
■00520260202105643
■006m o d
■007cr#unu||||||||
■020 ▼a9798270220150
■035 ▼a(MiAaPQ)AAI32399254
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aAdamian, Armen.
■24510▼aThe Armenian Azgagrakan Movement: An Ethnographic History of Music Revival in the Aftermath of Genocide and Sovietization
■260 ▼a[Sl]▼bUniversity of California, Los Angeles▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a373 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-06, Section: A.
■500 ▼aAdvisor: Morcom, Anna Frances;Taylor, Timothy D.
■5021 ▼aThesis (Ph.D.)--University of California, Los Angeles, 2025.
■520 ▼aThis dissertation examines why Armenians deploy azgagrakan performance as a means of articulating survival and resistance against enduring regimes of domination. I investigate this phenomenon through an ethnographic and historical inquiry into the social significance of azgagrakan music and dance, situated at the intersection of post-genocide and post-Soviet geopolitics. I compile a genealogy of azgagrakan performance, tracing the emergence of the practice across particular historical moments from the formation of the first Armenian folk ensembles in the early Soviet period to the development of a burgeoning folklore revival movement still active in the Armenian Republic today. In historicizing azgagrakan performance, I examine how its meanings and stakes have shifted across four key periods: 1) the early Soviet period (1922-1953); 2) the post-Stalin period (1953-1988); 3) the First Karabakh War amid Soviet collapse and the formation of the Armenian Republic (1988-2020); and 4) the era marked by the crisis and aftermath of the Second Karabakh War (2020-present). By exploring azgagrakan practice and discourse within these historical moments, I demonstrate how the mission to revive rural folk music and dance underwent multiple transformations itself in the process of reshaping the profile of Armenian musical-choreographic expression in the post-Soviet Republic. Overall, I argue that the politics of azgagrakan performance sheds light on multiple histories of subjugation and resistance, revealing how structural legacies of imperial-colonial violence are aesthetically inscribed and contested through musical constructions of Armenian folklore.
■590 ▼aSchool code: 0031.
■650 4▼aMusic
■650 4▼aPolitical science
■650 4▼aHistory
■650 4▼aFolklore
■650 4▼aDance
■653 ▼aArmenian Republic
■653 ▼aEthnography
■653 ▼aFolk
■653 ▼aAzgagrakan music
■690 ▼a0413
■690 ▼a0615
■690 ▼a0578
■690 ▼a0378
■690 ▼a0358
■71020▼aUniversity of California, Los Angeles▼bEthnomusicology 0472.
■7730 ▼tDissertations Abstracts International▼g87-06A.
■790 ▼a0031
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360950▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
