본문

서브메뉴

"An Established and Permanent Popularity": The Making of Collected Editions in the Late Romantic Period
"An Established and Permanent Popularity": The Making of Collected Editions in the Late Ro...
"An Established and Permanent Popularity": The Making of Collected Editions in the Late Romantic Period

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202104726
ISBN  
9798293890330
DDC  
820
저자명  
Culver, Jeremy.
서명/저자  
An Established and Permanent Popularity: The Making of Collected Editions in the Late Romantic Period
발행사항  
[Sl] : New York University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
310 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
주기사항  
Advisor: McLane, Maureen.
학위논문주기  
Thesis (Ph.D.)--New York University, 2025.
초록/해제  
요약Collected editions, traditionally, have been held as monuments of cultural achievement that metonymically signify a distinguished or would-be-distinguished career; what I argue is that, like monuments, these collected editions should be examined as distinct works of art. In this sense, the book as an object remains first and foremost an expression of its own time. Collected editions, then, are overlooked nexus points of literary culture and technological innovation-instances in which authors and writings from the past are reconfigured to be sold to the present in order to perpetuate an image into the future. These categories are reciprocal: recognizable names imbue an edition with a sense of familiarity amidst innovation in design and format, while new features provide incentives for consumers to purchase previously available materials. By depicting the methods through which writers are reconfigured in such editions, I assert that collected editions are a critical genre in the development of nineteenth-century literature. This innovation is best seen in works from the 1820s and 30s, a time often characterized as an in-between period of English literature-too late to be Romantic, too early to be Victorian. Yet, this was also a time of intense technological change-as the nascent industrial revolution reached the book trade-and intense literary creativity. These two factors in combination led to remarkable progress in the collected edition. In my work, I navigate the competing interests of publishers, spouses, friends, and enemies through four significant editions produced during this period: The Waverley Novels of Walter Scott, edited by the author and published by Robert Cadell, 1829-1834; The Life and Works of Lord Byron, edited by John Wright and published by John Murray, 1832-1834; Posthumous Poems of Percy Bysshe Shelley, edited by Mary Shelley and published by John Hunt, 1824; and The Poetical Works of Percy Bysshe Shelley, edited by Mrs. [Mary] Shelley and published by Edward Moxon, 1839. When analyzed together, these works reveal how the collected editions of an under-analyzed era reshaped the narratives of some of its most significant writers. Collected editions, by definition, occupy a transitional period for artists-the conclusion and packaging of a distinct chapter of an individual's history. What I argue is that this effect lives on long after the artists themselves are gone.
일반주제명  
English literature
일반주제명  
British & Irish literature
일반주제명  
Education history
일반주제명  
Romance literature
일반주제명  
Literature
키워드  
Book history
키워드  
Collected edition
키워드  
Romanticism
키워드  
Romantic period
기타저자  
New York University English
기본자료저록  
Dissertations Abstracts International. 87-03A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

 008260126s2025        us                              c    eng  d
■001000017358609
■00520260202104726
■006m          o    d                
■007cr#unu||||||||
■020    ▼a9798293890330
■035    ▼a(MiAaPQ)AAI32122221
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a820
■1001  ▼aCulver,  Jeremy.
■24510▼a"An  Established  and  Permanent  Popularity":  The  Making  of  Collected  Editions  in  the  Late  Romantic  Period
■260    ▼a[Sl]▼bNew  York  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a310  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-03,  Section:  A.
■500    ▼aAdvisor:  McLane,  Maureen.
■5021  ▼aThesis  (Ph.D.)--New  York  University,  2025.
■520    ▼aCollected  editions,  traditionally,  have  been  held  as  monuments  of  cultural  achievement  that  metonymically  signify  a  distinguished  or  would-be-distinguished  career;  what  I  argue  is  that,  like  monuments,  these  collected  editions  should  be  examined  as  distinct  works  of  art.  In  this  sense,  the  book  as  an  object  remains  first  and  foremost  an  expression  of  its  own  time.  Collected  editions,  then,  are  overlooked  nexus  points  of  literary  culture  and  technological  innovation-instances  in  which  authors  and  writings  from  the  past  are  reconfigured  to  be  sold  to  the  present  in  order  to  perpetuate  an  image  into  the  future.  These  categories  are  reciprocal:  recognizable  names  imbue  an  edition  with  a  sense  of  familiarity  amidst  innovation  in  design  and  format,  while  new  features  provide  incentives  for  consumers  to  purchase  previously  available  materials.  By  depicting  the  methods  through  which  writers  are  reconfigured  in  such  editions,  I  assert  that  collected  editions  are  a  critical  genre  in  the  development  of  nineteenth-century  literature.  This  innovation  is  best  seen  in  works  from  the  1820s  and  30s,  a  time  often  characterized  as  an  in-between  period  of  English  literature-too  late  to  be  Romantic,  too  early  to  be  Victorian.  Yet,  this  was  also  a  time  of  intense  technological  change-as  the  nascent  industrial  revolution  reached  the  book  trade-and  intense  literary  creativity.  These  two  factors  in  combination  led  to  remarkable  progress  in  the  collected  edition.  In  my  work,  I  navigate  the  competing  interests  of  publishers,  spouses,  friends,  and  enemies  through  four  significant  editions  produced  during  this  period:  The  Waverley  Novels  of  Walter  Scott,  edited  by  the  author  and  published  by  Robert  Cadell,  1829-1834;  The  Life  and  Works  of  Lord  Byron,  edited  by  John  Wright  and  published  by  John  Murray,  1832-1834;  Posthumous  Poems  of  Percy  Bysshe  Shelley,  edited  by  Mary  Shelley  and  published  by  John  Hunt,  1824;  and  The  Poetical  Works  of  Percy  Bysshe  Shelley,  edited  by  Mrs.  [Mary]  Shelley  and  published  by  Edward  Moxon,  1839.  When  analyzed  together,  these  works  reveal  how  the  collected  editions  of  an  under-analyzed  era  reshaped  the  narratives  of  some  of  its  most  significant  writers.  Collected  editions,  by  definition,  occupy  a  transitional  period  for  artists-the  conclusion  and  packaging  of  a  distinct  chapter  of  an  individual's  history.  What  I  argue  is  that  this  effect  lives  on  long  after  the  artists  themselves  are  gone.
■590    ▼aSchool  code:  0146.
■650  4▼aEnglish  literature
■650  4▼aBritish  &  Irish  literature
■650  4▼aEducation  history
■650  4▼aRomance  literature
■650  4▼aLiterature
■653    ▼aBook  history
■653    ▼aCollected  edition
■653    ▼aRomanticism
■653    ▼aRomantic  period
■690    ▼a0593
■690    ▼a0313
■690    ▼a0401
■690    ▼a0520
■71020▼aNew  York  University▼bEnglish.
■7730  ▼tDissertations  Abstracts  International▼g87-03A.
■790    ▼a0146
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358609▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

미리보기

내보내기

chatGPT토론

Ai 추천 관련 도서


    신착도서 더보기
    최근 3년간 통계입니다.

    소장정보

    • 예약
    • 소재불명신고
    • 나의폴더
    • 우선정리요청
    • 비도서대출신청
    • 야간 도서대출신청
    소장자료
    등록번호 청구기호 소장처 대출가능여부 대출정보
    TF16427 전자도서 대출가능 마이폴더 부재도서신고 비도서대출신청 야간 도서대출신청

    * 대출중인 자료에 한하여 예약이 가능합니다. 예약을 원하시면 예약버튼을 클릭하십시오.

    해당 도서를 다른 이용자가 함께 대출한 도서

    관련 인기도서

    로그인 후 이용 가능합니다.