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Alfred Schnittke's Legacy of Piano Preludes: Five Preludes and Fugue and Five Aphorisms-Preludes for Piano
Alfred Schnittke's Legacy of Piano Preludes: Five Preludes and Fugue and Five Aphorisms-Preludes for Piano
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202104757
- ISBN
- 9798280770096
- DDC
- 780
- 저자명
- Yoon, Ilsu.
- 서명/저자
- Alfred Schnittkes Legacy of Piano Preludes: Five Preludes and Fugue and Five Aphorisms-Preludes for Piano
- 발행사항
- [Sl] : University of Cincinnati, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 102 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-12, Section: A.
- 주기사항
- Advisor: Segall, Christopher.
- 학위논문주기
- Thesis (D.M.A.)--University of Cincinnati, 2024.
- 초록/해제
- 요약Postmodernist Russian composer Alfred Garrievich Schnittke not only illustrates idiomatic stylistic attributes special to his own compositional style. His larger musical genre, encompassing piano sonatas, piano concerto, and Polystylism have been studied and researched in piano literature. However, his other genre, Preludes, has received relatively little attention and warrants further study. Throughout his Five Preludes and Fugue (1953-4) and Five Aphorisms-Preludes for Piano (1990), Schnittke reflects discernible influences from preceding composers. His contributions to the development of the Prelude genre are significant, particularly evident in his early Five Preludes and Fugue, which exhibit influences from J. S. Bach, F. Chopin, F. Liszt, D. Shostakovich, A. Scriabin, and S. Rachmaninoff. Following his middle period (1968-85) characterized by Polystylism, Schnittke's unique compositional style became more pronounced in his late works such as Five Aphorisms. However, these pieces have not received sufficient scholarly study and performance recognition commensurate with their significance. To fill this gap, this document aims to advocate for Alfred Schnittke's recognition as a significant figure in piano music through his Preludes as well as his Polystylism. Additionally, it explores the difference between his early and late works, particularly with his Preludes, and advocates for a wider appreciation of his music within the music community. Through research on Schnittke's Preludes, one gains insights into his musical style and Polystylism. This will be achieved by highlighting Schnittke's influence on and contributions to contemporary piano compositions. Furthermore, this document aims to serve as a comprehensive guide for performing Schnittke's music, specifically his Five Preludes and Fugue and Five Aphorisms-Preludes for Piano.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 키워드
- Russian composer
- 키워드
- Piano
- 키워드
- Preludes
- 기타저자
- University of Cincinnati College-Conservatory of Music: Piano
- 기본자료저록
- Dissertations Abstracts International. 86-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798280770096
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aYoon, Ilsu.
■24510▼aAlfred Schnittke's Legacy of Piano Preludes: Five Preludes and Fugue and Five Aphorisms-Preludes for Piano
■260 ▼a[Sl]▼bUniversity of Cincinnati▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a102 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-12, Section: A.
■500 ▼aAdvisor: Segall, Christopher.
■5021 ▼aThesis (D.M.A.)--University of Cincinnati, 2024.
■520 ▼aPostmodernist Russian composer Alfred Garrievich Schnittke not only illustrates idiomatic stylistic attributes special to his own compositional style. His larger musical genre, encompassing piano sonatas, piano concerto, and Polystylism have been studied and researched in piano literature. However, his other genre, Preludes, has received relatively little attention and warrants further study. Throughout his Five Preludes and Fugue (1953-4) and Five Aphorisms-Preludes for Piano (1990), Schnittke reflects discernible influences from preceding composers. His contributions to the development of the Prelude genre are significant, particularly evident in his early Five Preludes and Fugue, which exhibit influences from J. S. Bach, F. Chopin, F. Liszt, D. Shostakovich, A. Scriabin, and S. Rachmaninoff. Following his middle period (1968-85) characterized by Polystylism, Schnittke's unique compositional style became more pronounced in his late works such as Five Aphorisms. However, these pieces have not received sufficient scholarly study and performance recognition commensurate with their significance. To fill this gap, this document aims to advocate for Alfred Schnittke's recognition as a significant figure in piano music through his Preludes as well as his Polystylism. Additionally, it explores the difference between his early and late works, particularly with his Preludes, and advocates for a wider appreciation of his music within the music community. Through research on Schnittke's Preludes, one gains insights into his musical style and Polystylism. This will be achieved by highlighting Schnittke's influence on and contributions to contemporary piano compositions. Furthermore, this document aims to serve as a comprehensive guide for performing Schnittke's music, specifically his Five Preludes and Fugue and Five Aphorisms-Preludes for Piano.
■590 ▼aSchool code: 0045.
■650 4▼aMusic
■650 4▼aMusical composition
■653 ▼aSchnittke's influence
■653 ▼aRussian composer
■653 ▼aPiano
■653 ▼aPreludes
■690 ▼a0413
■690 ▼a0214
■71020▼aUniversity of Cincinnati▼bCollege-Conservatory of Music: Piano.
■7730 ▼tDissertations Abstracts International▼g86-12A.
■790 ▼a0045
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358829▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
