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Archival and Ethnographic Perspectives on Mumming in Ireland in the Twentieth and Twenty-First Centuries: Tradition and Innovation
Archival and Ethnographic Perspectives on Mumming in Ireland in the Twentieth and Twenty-F...
Archival and Ethnographic Perspectives on Mumming in Ireland in the Twentieth and Twenty-First Centuries: Tradition and Innovation

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자료유형  
 학위논문 서양
최종처리일시  
20260202103522
ISBN  
9798286497058
DDC  
398
저자명  
Tatem, Caroline Joy.
서명/저자  
Archival and Ethnographic Perspectives on Mumming in Ireland in the Twentieth and Twenty-First Centuries: Tradition and Innovation
발행사항  
[Sl] : Indiana University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
526 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-01, Section: A.
주기사항  
Advisor: Cashman, Ray;Hillers, Barbara.
학위논문주기  
Thesis (Ph.D.)--Indiana University, 2025.
초록/해제  
요약Mumming is a dramatic midwinter house-visiting tradition introduced to Ireland from Britain in the early modern era, notable for its musical masked performance featuring combat, death, and resurrection. This dissertation covers the history of mumming in Ireland spanning the mid-1930s to 2001 as documented in a variety of archival sources, then shifts to investigating how the tradition is performed today in two communities.The first half of this dissertation offers the first study of all available archival materials on mumming in Ireland. These collections document the demographics, distribution, material culture, dramatis personae, and renumeration for the performance, tracking changes over time. I also address the relationship between mumming and related Gaelic customs, demonstrating how the tradition adopted Irish features.In the second half of the dissertation, I use ethnographic methods to study contemporary mummers in two communities, the Fingal Mummers of County Dublin and the Armagh Rhymers of County Armagh. These groups along with others in Sligo and Fermanagh reveal that contemporary mumming exists on a spectrum ranging from the traditional to the innovative. In all cases, mummers have adapted the tradition to contemporary conditions, while their commitment to the tradition is often motivated by a conscious effort to combat forces of modernity keeping people apart. In the context of Northern Ireland, my dissertation shows that mumming has a long history of being shared by Protestant and Catholic communities before, during, and after the Troubles; the Armagh Rhymers formed to combat sectarianism, performing for mixed audiences of schoolchildren throughout Northern Ireland. Through elements of liminality and communitas, mumming allows for performers and audiences to break down social barriers and reaffirm communal ties. I show that traditional mumming in Ireland is a liminal genre which has carnivalesque and ritualesque features and may in certain social contexts perform ritual functions.
일반주제명  
Folklore
일반주제명  
Music
일반주제명  
Music history
일반주제명  
Performing arts
키워드  
Carnivalesque
키워드  
Ireland
키워드  
Liminality
키워드  
Mumming
키워드  
Ritualesque
기타저자  
Indiana University Folklore and Ethnomusicology
기본자료저록  
Dissertations Abstracts International. 87-01A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■035    ▼a(MiAaPQ)AAI32038854
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a398
■1001  ▼aTatem,  Caroline  Joy.
■24510▼aArchival  and  Ethnographic  Perspectives  on  Mumming  in  Ireland  in  the  Twentieth  and  Twenty-First  Centuries:  Tradition  and  Innovation
■260    ▼a[Sl]▼bIndiana  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a526  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-01,  Section:  A.
■500    ▼aAdvisor:  Cashman,  Ray;Hillers,  Barbara.
■5021  ▼aThesis  (Ph.D.)--Indiana  University,  2025.
■520    ▼aMumming  is  a  dramatic  midwinter  house-visiting  tradition  introduced  to  Ireland  from  Britain  in  the  early  modern  era,  notable  for  its  musical  masked  performance  featuring  combat,  death,  and  resurrection.  This  dissertation  covers  the  history  of  mumming  in  Ireland  spanning  the  mid-1930s  to  2001  as  documented  in  a  variety  of  archival  sources,  then  shifts  to  investigating  how  the  tradition  is  performed  today  in  two  communities.The  first  half  of  this  dissertation  offers  the  first  study  of  all  available  archival  materials  on  mumming  in  Ireland.  These  collections  document  the  demographics,  distribution,  material  culture,  dramatis  personae,  and  renumeration  for  the  performance,  tracking  changes  over  time.  I  also  address  the  relationship  between  mumming  and  related  Gaelic  customs,  demonstrating  how  the  tradition  adopted  Irish  features.In  the  second  half  of  the  dissertation,  I  use  ethnographic  methods  to  study  contemporary  mummers  in  two  communities,  the  Fingal  Mummers  of  County  Dublin  and  the  Armagh  Rhymers  of  County  Armagh.  These  groups  along  with  others  in  Sligo  and  Fermanagh  reveal  that  contemporary  mumming  exists  on  a  spectrum  ranging  from  the  traditional  to  the  innovative.  In  all  cases,  mummers  have  adapted  the  tradition  to  contemporary  conditions,  while  their  commitment  to  the  tradition  is  often  motivated  by  a  conscious  effort  to  combat  forces  of  modernity  keeping  people  apart.  In  the  context  of  Northern  Ireland,  my  dissertation  shows  that  mumming  has  a  long  history  of  being  shared  by  Protestant  and  Catholic  communities  before,  during,  and  after  the  Troubles;  the  Armagh  Rhymers  formed  to  combat  sectarianism,  performing  for  mixed  audiences  of  schoolchildren  throughout  Northern  Ireland.  Through  elements  of  liminality  and  communitas,  mumming  allows  for  performers  and  audiences  to  break  down  social  barriers  and  reaffirm  communal  ties.  I  show  that  traditional  mumming  in  Ireland  is  a  liminal  genre  which  has  carnivalesque  and  ritualesque  features  and  may  in  certain  social  contexts  perform  ritual  functions.
■590    ▼aSchool  code:  0093.
■650  4▼aFolklore
■650  4▼aMusic
■650  4▼aMusic  history
■650  4▼aPerforming  arts
■653    ▼aCarnivalesque
■653    ▼aIreland
■653    ▼aLiminality
■653    ▼aMumming
■653    ▼aRitualesque
■690    ▼a0358
■690    ▼a0641
■690    ▼a0413
■690    ▼a0208
■71020▼aIndiana  University▼bFolklore  and  Ethnomusicology.
■7730  ▼tDissertations  Abstracts  International▼g87-01A.
■790    ▼a0093
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17357511▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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