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The Harmonic Ephemera of Unison Canons
The Harmonic Ephemera of Unison Canons
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202103511
- ISBN
- 9798280746831
- DDC
- 781
- 서명/저자
- The Harmonic Ephemera of Unison Canons
- 발행사항
- [Sl] : Princeton University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 112 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-12, Section: A.
- 주기사항
- Advisor: Tymoczko, Dmitri.
- 학위논문주기
- Thesis (Ph.D.)--Princeton University, 2025.
- 초록/해제
- 요약A large part of my compositional practice has involved creating ambient soundscapes out of densely layered unison canons. The creative impulse to compose this kind of music stems from a desire to balance harmonic clarity with textural and contrapuntal complexity, affecting a spare amount of harmonic material with ephemeral contrails from the counterpoint. In this dissertation, I explore such applications of unison canons - textures which are nominally contrapuntal, but which contribute to a rather monophonic listening experience.After a "prefatory manifesto", in which I discuss how this type of counterpoint relates to my aesthetic values as a composer, I investigate four pieces that dwell in the liminal zone of overwhelmingly dense polyphony: Two canons from the Renaissance by Ockeghem and Josquin, and two mid 20th-century orchestral works (Ligeti's Lontano and Norgard's Second Symphony). Finally, I delve into the creative component of my dissertation, a piece called the sun must bear no name for nine multitracked violins, which traverses similar aesthetic and contrapuntal terrain as the previous case studies.
- 일반주제명
- Musical composition
- 일반주제명
- Music theory
- 일반주제명
- Music
- 키워드
- Canons
- 키워드
- Counterpoint
- 키워드
- Just intonation
- 키워드
- Composer
- 기타저자
- Princeton University Music
- 기본자료저록
- Dissertations Abstracts International. 86-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
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■020 ▼a9798280746831
■035 ▼a(MiAaPQ)AAI32003307
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aWay, Connor Elias.
■24510▼aThe Harmonic Ephemera of Unison Canons
■260 ▼a[Sl]▼bPrinceton University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a112 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-12, Section: A.
■500 ▼aAdvisor: Tymoczko, Dmitri.
■5021 ▼aThesis (Ph.D.)--Princeton University, 2025.
■520 ▼aA large part of my compositional practice has involved creating ambient soundscapes out of densely layered unison canons. The creative impulse to compose this kind of music stems from a desire to balance harmonic clarity with textural and contrapuntal complexity, affecting a spare amount of harmonic material with ephemeral contrails from the counterpoint. In this dissertation, I explore such applications of unison canons - textures which are nominally contrapuntal, but which contribute to a rather monophonic listening experience.After a "prefatory manifesto", in which I discuss how this type of counterpoint relates to my aesthetic values as a composer, I investigate four pieces that dwell in the liminal zone of overwhelmingly dense polyphony: Two canons from the Renaissance by Ockeghem and Josquin, and two mid 20th-century orchestral works (Ligeti's Lontano and Norgard's Second Symphony). Finally, I delve into the creative component of my dissertation, a piece called the sun must bear no name for nine multitracked violins, which traverses similar aesthetic and contrapuntal terrain as the previous case studies.
■590 ▼aSchool code: 0181.
■650 4▼aMusical composition
■650 4▼aMusic theory
■650 4▼aMusic
■653 ▼aCanons
■653 ▼aCounterpoint
■653 ▼aJust intonation
■653 ▼aComposer
■690 ▼a0214
■690 ▼a0221
■690 ▼a0413
■71020▼aPrinceton University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-12A.
■790 ▼a0181
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17357431▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
