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Dressing Tradition: Visual Culture, Performance, and Historical Imagination in American Old-Time Music
Dressing Tradition: Visual Culture, Performance, and Historical Imagination in American Old-Time Music
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202104824
- ISBN
- 9798291503454
- DDC
- 398
- 저자명
- Ling, Micah Joy.
- 서명/저자
- Dressing Tradition: Visual Culture, Performance, and Historical Imagination in American Old-Time Music
- 발행사항
- [Sl] : Indiana University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 228 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
- 주기사항
- Advisor: Shukla, Pravina.
- 학위논문주기
- Thesis (Ph.D.)--Indiana University, 2025.
- 초록/해제
- 요약This dissertation explores the mutually constituted nature of music and material culture through an analysis of dress and visual communication within the traditional, contemporary old-time music scene in the United States. Utilizing ethnographic fieldwork, archival research, semiotic and formal analysis, and participant-observation, I suggest that dress is an avenue for the expression of historical imagination, the performance of tradition and nostalgia, and a facilitator of belonging. This multi-sited project conducted between 2020-2025 includes festival fieldwork, concert attendance, digital ethnography, community music session participation, and formal and informal conversations that shape my understanding and analysis of dress conventions within this robust contemporary music scene. Special attention is paid to the dynamic between insider aesthetics and the lay or outsider audiences who receive both the visual performance of dress and the sonic performance of old-time music. I explore what traditional music looks like, how "folkness" is visually expressed, and the ways traditional musicians engage in time travel through the performance of this living tradition. I also present direct corollaries between musical style and variation within the old-time corpus and the dress style selected by the performers, sometimes even within the same individual's repertoire. Through the social activation, use, and reading of dress, I offer new understandings of the old-time music genre and the maintenance of this tradition.
- 일반주제명
- Folklore
- 일반주제명
- Fashion
- 일반주제명
- Music
- 일반주제명
- Musical performances
- 키워드
- Aesthetics
- 키워드
- Costume
- 키워드
- Ethnomusicology
- 키워드
- Nostalgia
- 키워드
- Old-time music
- 기타저자
- Indiana University Folklore and Ethnomusicology
- 기본자료저록
- Dissertations Abstracts International. 87-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798291503454
■035 ▼a(MiAaPQ)AAI32169694
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a398
■1001 ▼aLing, Micah Joy.▼0(orcid)0009-0008-4613-9194
■24510▼aDressing Tradition: Visual Culture, Performance, and Historical Imagination in American Old-Time Music
■260 ▼a[Sl]▼bIndiana University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a228 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-02, Section: A.
■500 ▼aAdvisor: Shukla, Pravina.
■5021 ▼aThesis (Ph.D.)--Indiana University, 2025.
■520 ▼aThis dissertation explores the mutually constituted nature of music and material culture through an analysis of dress and visual communication within the traditional, contemporary old-time music scene in the United States. Utilizing ethnographic fieldwork, archival research, semiotic and formal analysis, and participant-observation, I suggest that dress is an avenue for the expression of historical imagination, the performance of tradition and nostalgia, and a facilitator of belonging. This multi-sited project conducted between 2020-2025 includes festival fieldwork, concert attendance, digital ethnography, community music session participation, and formal and informal conversations that shape my understanding and analysis of dress conventions within this robust contemporary music scene. Special attention is paid to the dynamic between insider aesthetics and the lay or outsider audiences who receive both the visual performance of dress and the sonic performance of old-time music. I explore what traditional music looks like, how "folkness" is visually expressed, and the ways traditional musicians engage in time travel through the performance of this living tradition. I also present direct corollaries between musical style and variation within the old-time corpus and the dress style selected by the performers, sometimes even within the same individual's repertoire. Through the social activation, use, and reading of dress, I offer new understandings of the old-time music genre and the maintenance of this tradition.
■590 ▼aSchool code: 0093.
■650 4▼aFolklore
■650 4▼aFashion
■650 4▼aMusic
■650 4▼aMusical performances
■653 ▼aAesthetics
■653 ▼aCostume
■653 ▼aEthnomusicology
■653 ▼aHistorical imagination
■653 ▼aNostalgia
■653 ▼aOld-time music
■690 ▼a0358
■690 ▼a0200
■690 ▼a0413
■690 ▼a0943
■71020▼aIndiana University▼bFolklore and Ethnomusicology.
■7730 ▼tDissertations Abstracts International▼g87-02A.
■790 ▼a0093
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359034▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
