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Exploring Selected Vocal Works of Riccardo Piacentini (B. 1958) and the Emergence of "Photo-Music with Photo-Sounds" as a Vocal Genre: A Performance Guide and Research Journey
Exploring Selected Vocal Works of Riccardo Piacentini (B. 1958) and the Emergence of "Photo-Music with Photo-Sounds" as a Vocal Genre: A Performance Guide and Research Journey
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105204
- ISBN
- 9798288885013
- DDC
- 781
- 저자명
- Huang, Te-Yu.
- 서명/저자
- Exploring Selected Vocal Works of Riccardo Piacentini (B. 1958) and the Emergence of Photo-Music with Photo-Sounds as a Vocal Genre: A Performance Guide and Research Journey
- 발행사항
- [Sl] : University of North Texas, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 215 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-01, Section: A.
- 주기사항
- Advisor: Joyner, William.
- 학위논문주기
- Thesis (D.M.A.)--University of North Texas, 2025.
- 초록/해제
- 요약The purpose of this study is to explore the emerging genre of "foto-musica con foto-suoni" (foto-musica), pioneered by Italian composer Riccardo Piacentini, with a specific focus on three of his compositions: Mano Mobile Clic (2001), "Como un caballito de mar" (2019), and "Formicaio loquens" (2022). Despite theoretical discussions on the synthesis of sound and visual elements, there is a lack of practical performance guides for Piacentini's genre. This dissertation addresses this gap by providing a comprehensive performance guide and exploring the research journey that reveals insights into the expressive potential of Foto-Musica.Chapter One delves into Piacentini's composition style, blending historical and modern techniques, and highlights the need for practical guidance in foto-musica. Chapter Two covers Piacentini's early foto-musica piece, Mano Mobile Clic, highlighting its artistic concept and performance challenges. Chapter Three provides a comprehensive analysis of "Como un caballito de mar," offering practical insights for performers. Chapter Four examines "Formicaio loquens," focusing on integrating foto-musica with instrumental elements, and comparing the original piano and voice version with the revised foto-suoni version. Chapter Five presents findings from my 2024 summer research and case studies in Italy, and links them to related studies and future implications. Chapter Six emphasizes the need for practical performance guides, advocating for research and educational strategies to promote accessibility and appreciation of foto-musica.
- 일반주제명
- Musical composition
- 일반주제명
- Linguistics
- 키워드
- New vocal genres
- 기타저자
- University of North Texas Division of Vocal Studies
- 기본자료저록
- Dissertations Abstracts International. 87-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798288885013
■035 ▼a(MiAaPQ)AAI32247481
■035 ▼a(MiAaPQ)0158vireo4309Huang
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aHuang, Te-Yu.
■24510▼aExploring Selected Vocal Works of Riccardo Piacentini (B. 1958) and the Emergence of "Photo-Music with Photo-Sounds" as a Vocal Genre: A Performance Guide and Research Journey
■260 ▼a[Sl]▼bUniversity of North Texas▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a215 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-01, Section: A.
■500 ▼aAdvisor: Joyner, William.
■5021 ▼aThesis (D.M.A.)--University of North Texas, 2025.
■520 ▼aThe purpose of this study is to explore the emerging genre of "foto-musica con foto-suoni" (foto-musica), pioneered by Italian composer Riccardo Piacentini, with a specific focus on three of his compositions: Mano Mobile Clic (2001), "Como un caballito de mar" (2019), and "Formicaio loquens" (2022). Despite theoretical discussions on the synthesis of sound and visual elements, there is a lack of practical performance guides for Piacentini's genre. This dissertation addresses this gap by providing a comprehensive performance guide and exploring the research journey that reveals insights into the expressive potential of Foto-Musica.Chapter One delves into Piacentini's composition style, blending historical and modern techniques, and highlights the need for practical guidance in foto-musica. Chapter Two covers Piacentini's early foto-musica piece, Mano Mobile Clic, highlighting its artistic concept and performance challenges. Chapter Three provides a comprehensive analysis of "Como un caballito de mar," offering practical insights for performers. Chapter Four examines "Formicaio loquens," focusing on integrating foto-musica with instrumental elements, and comparing the original piano and voice version with the revised foto-suoni version. Chapter Five presents findings from my 2024 summer research and case studies in Italy, and links them to related studies and future implications. Chapter Six emphasizes the need for practical performance guides, advocating for research and educational strategies to promote accessibility and appreciation of foto-musica.
■590 ▼aSchool code: 0158.
■650 4▼aMusical composition
■650 4▼aLinguistics
■653 ▼aContemporary vocal literature
■653 ▼aPiacentini, Riccardo
■653 ▼aSoundscape composition
■653 ▼aNew vocal genres
■653 ▼aAcoustic linguistics
■690 ▼a0214
■690 ▼a0290
■71020▼aUniversity of North Texas▼bDivision of Vocal Studies.
■7730 ▼tDissertations Abstracts International▼g87-01A.
■790 ▼a0158
■791 ▼aD.M.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359724▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
