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The Language of Contemporary Social Protests in Latin America: Mnemo-Critical Artifacts and Their Role in Shaping Marginalized Collective Memory and National Identity During the 2021 Colombian Social Outburst : El lenguaje de la protesta social contemporanea en Latinoamerica. Artefactos mnemo-crit
The Language of Contemporary Social Protests in Latin America: Mnemo-Critical Artifacts and Their Role in Shaping Marginalized Collective Memory and National Identity During the 2021 Colombian Social Outburst : El lenguaje de la protesta social contemporanea en Latinoamerica. Artefactos mnemo-crit
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202103350
- ISBN
- 9798315712701
- DDC
- 980
- 서명/저자
- The Language of Contemporary Social Protests in Latin America: Mnemo-Critical Artifacts and Their Role in Shaping Marginalized Collective Memory and National Identity During the 2021 Colombian Social Outburst : El lenguaje de la protesta social contemporanea en Latinoamerica. Artefactos mnemo-criticos y su rol en la construccion de la memoria colectiva marginal y la identidad nacional durante el Estallido Social colombiano de 2021
- 발행사항
- [Sl] : The University of North Carolina at Chapel Hill, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 239 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-11, Section: A.
- 주기사항
- Advisor: La Serna, Miguel.
- 학위논문주기
- Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2025.
- 초록/해제
- 요약My research, grounded in the Colombian context, explores the relationship between memory, collective identity, and the visual language of social protest. Focusing on aesthetic-political expressions that emerged during the 2021 Social Outburst, I argue that these mobilizations center on the memory of a state crime from the early 2000s, commonly known as the falsos positivos (false positives). The unresolved and secretly ongoing process of false positivization functions as an ideological framework through which marginalized communities in the second decade of the century come to interpret themselves as a collective identity potentially targeted by state violence-that is, as "living false positives."This subaltern identity is expressed through various mnemo-critical artifacts. I define mnemo-critics as epistemological and de-ideologizing artifacts through which protesters symbolically interpret their multidimensionally violent reality, challenging hegemonic narratives rooted in the exclusion of the "Other"-the so-called "nonColombian."Rejecting the roles traditionally assigned to marginalized populations by the state-such as the "internal enemy" or the passive "victim"-these protests construct an identity that emerges from systemic violence and resists entrenched exclusionary dualisms. Rather than reviving the failed tactics of armed revolutionary movements, this identity seeks transformation within the framework of democratic principles. The vision of an inclusive Colombian national identity-symbolically inscribed on the walls during the Social Outburst-ultimately culminated in the historic election of the country's first leftist government one year later.Throughout this work, I examine a range of mnemo-critical artifacts and their role in the narrative and existential struggles of those who perceive themselves as "falsely alive." I analyze how these mnemo-critics temporarily grant material presence to a precarious identity under the pressures of capitalist politics, question the illusion of hegemonic permanence, and articulate a humanistic political alternative.
- 초록/해제
- 요약i investigacion, contextualizada en Colombia, aborda la conexion entre memoria y lenguaje visual de la protesta social. A traves del estudio de casos estetico-politicos surgidos en el Estallido social de 2021, propongo que las movilizaciones giran en torno a la rememoracion del crimen de Estado del primer decenio del siglo conocido comunmente como falsos positivos. La irresuelta y aun vigente falso positivizacion conforma un marco de interpretacion ideologico bajo el cual colectivos economica e identitariamente marginalizados se interpretan como potencialmente objeto del crimen. Esta reconstruccion de una identidad colectiva subalterna, surgida del rechazo y el miedo a los mecanismos represivos del Estado, se expresa mediante diversos artefactos "mnemo-criticos". He denominado mnemo-criticos a las herramientas epistemologicas y desideologizadoras con que la protesta interpreta su realidad multidimensionalmente violenta de manera simbolica y a contravia de narrativas hegemonicas fundamentadas en la discriminacion del "Otro-no colombiano". Sin embargo y lejos de asumir el rol satanizado de "enemigo interno", o el pasivo de "victima" que el Estado tradicionalmente ha otorgado a la marginalidad, la protesta propone una identidad que, surgiendo de entre la violencia multiple y rompiendo con el enraizado dualismo exclusivista, transforma su realidad. No a la manera de los fallidos movimientos armados revolucionarios, sino dentro de las reglas de la democracia. La propuesta de una colombianidad inclusiva, simbolicamente anunciada desde los muros del Estallido, terminaria en la historica eleccion del primer gobierno de izquierdas del pais.A lo largo de mi trabajo analizo diversos casos de mnemo-criticos y su papel en la lucha narrativa y existencial de aquellos que se perciben falsamente-vivos. La manera como estos mneno-criticos conceden momentanea materialidad a identidades deleznables frente a las politicas del capital; la forma como cuestionan la artificialidad de la pretendida eternidad hegemonica y sus propuesta politica humanista.
- 일반주제명
- Latin American history
- 일반주제명
- Language arts
- 일반주제명
- Romance literature
- 키워드
- Colombia
- 키워드
- Mnemo-critics
- 키워드
- Social movements
- 키워드
- Visual artifacts
- 기타저자
- The University of North Carolina at Chapel Hill Romance Languages and Literatures
- 기본자료저록
- Dissertations Abstracts International. 86-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aTorres Silva, Diana Isabel.
■24510▼aThe Language of Contemporary Social Protests in Latin America: Mnemo-Critical Artifacts and Their Role in Shaping Marginalized Collective Memory and National Identity During the 2021 Colombian Social Outburst ▼bEl lenguaje de la protesta social contemporanea en Latinoamerica. Artefactos mnemo-criticos y su rol en la construccion de la memoria colectiva marginal y la identidad nacional durante el Estallido Social colombiano de 2021
■260 ▼a[Sl]▼bThe University of North Carolina at Chapel Hill▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a239 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-11, Section: A.
■500 ▼aAdvisor: La Serna, Miguel.
■5021 ▼aThesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2025.
■520 ▼aMy research, grounded in the Colombian context, explores the relationship between memory, collective identity, and the visual language of social protest. Focusing on aesthetic-political expressions that emerged during the 2021 Social Outburst, I argue that these mobilizations center on the memory of a state crime from the early 2000s, commonly known as the falsos positivos (false positives). The unresolved and secretly ongoing process of false positivization functions as an ideological framework through which marginalized communities in the second decade of the century come to interpret themselves as a collective identity potentially targeted by state violence-that is, as "living false positives."This subaltern identity is expressed through various mnemo-critical artifacts. I define mnemo-critics as epistemological and de-ideologizing artifacts through which protesters symbolically interpret their multidimensionally violent reality, challenging hegemonic narratives rooted in the exclusion of the "Other"-the so-called "nonColombian."Rejecting the roles traditionally assigned to marginalized populations by the state-such as the "internal enemy" or the passive "victim"-these protests construct an identity that emerges from systemic violence and resists entrenched exclusionary dualisms. Rather than reviving the failed tactics of armed revolutionary movements, this identity seeks transformation within the framework of democratic principles. The vision of an inclusive Colombian national identity-symbolically inscribed on the walls during the Social Outburst-ultimately culminated in the historic election of the country's first leftist government one year later.Throughout this work, I examine a range of mnemo-critical artifacts and their role in the narrative and existential struggles of those who perceive themselves as "falsely alive." I analyze how these mnemo-critics temporarily grant material presence to a precarious identity under the pressures of capitalist politics, question the illusion of hegemonic permanence, and articulate a humanistic political alternative.
■520 ▼ai investigacion, contextualizada en Colombia, aborda la conexion entre memoria y lenguaje visual de la protesta social. A traves del estudio de casos estetico-politicos surgidos en el Estallido social de 2021, propongo que las movilizaciones giran en torno a la rememoracion del crimen de Estado del primer decenio del siglo conocido comunmente como falsos positivos. La irresuelta y aun vigente falso positivizacion conforma un marco de interpretacion ideologico bajo el cual colectivos economica e identitariamente marginalizados se interpretan como potencialmente objeto del crimen. Esta reconstruccion de una identidad colectiva subalterna, surgida del rechazo y el miedo a los mecanismos represivos del Estado, se expresa mediante diversos artefactos "mnemo-criticos". He denominado mnemo-criticos a las herramientas epistemologicas y desideologizadoras con que la protesta interpreta su realidad multidimensionalmente violenta de manera simbolica y a contravia de narrativas hegemonicas fundamentadas en la discriminacion del "Otro-no colombiano". Sin embargo y lejos de asumir el rol satanizado de "enemigo interno", o el pasivo de "victima" que el Estado tradicionalmente ha otorgado a la marginalidad, la protesta propone una identidad que, surgiendo de entre la violencia multiple y rompiendo con el enraizado dualismo exclusivista, transforma su realidad. No a la manera de los fallidos movimientos armados revolucionarios, sino dentro de las reglas de la democracia. La propuesta de una colombianidad inclusiva, simbolicamente anunciada desde los muros del Estallido, terminaria en la historica eleccion del primer gobierno de izquierdas del pais.A lo largo de mi trabajo analizo diversos casos de mnemo-criticos y su papel en la lucha narrativa y existencial de aquellos que se perciben falsamente-vivos. La manera como estos mneno-criticos conceden momentanea materialidad a identidades deleznables frente a las politicas del capital; la forma como cuestionan la artificialidad de la pretendida eternidad hegemonica y sus propuesta politica humanista.
■590 ▼aSchool code: 0153.
■650 4▼aLatin American history
■650 4▼aLanguage arts
■650 4▼aRomance literature
■653 ▼aCollective identity
■653 ▼aCollective memory
■653 ▼aColombia
■653 ▼aMnemo-critics
■653 ▼aSocial movements
■653 ▼aVisual artifacts
■690 ▼a0336
■690 ▼a0279
■690 ▼a0313
■71020▼aThe University of North Carolina at Chapel Hill▼bRomance Languages and Literatures.
■7730 ▼tDissertations Abstracts International▼g86-11A.
■790 ▼a0153
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aSpanish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17357359▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.


