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Ravel and Neoclassicism: Dialogues With the Past in Modernist Contexts
Ravel and Neoclassicism: Dialogues With the Past in Modernist Contexts
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202104641
- ISBN
- 9798288834035
- DDC
- 781
- 저자명
- Xu, Miaojun.
- 서명/저자
- Ravel and Neoclassicism: Dialogues With the Past in Modernist Contexts
- 발행사항
- [Sl] : University of Washington, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 98 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-01, Section: A.
- 주기사항
- Advisor: Sheppard, Craig.
- 학위논문주기
- Thesis (D.M.A.)--University of Washington, 2025.
- 초록/해제
- 요약Maurice Ravel's connection to Impressionism frequently eclipses the intricacy and diversity of his compositional style. This dissertation examines Ravel's relationship with Neoclassicism, highlighting his fusion of classical forms and innovative harmonic creativity. The first chapter explores Ravel's formative years with Les Apaches, a collective of artists who influenced his artistic trajectory. The second chapter investigates Ravel's wartime experiences and the role of Neoclassicism during the interwar period in the Franco-German musical context. The final chapter analyzes Le Tombeau de Couperin, illustrating Ravel's use of Neoclassical elements to address personal and national themes in the post-World War I era. This dissertation contends that Ravel's Neoclassicism was not merely a stylistic adoption but a deeply personal and philosophical stance. His music reveals an unwavering commitment to artistic integrity, striking a balance between reverence for tradition and forward-thinking innovation.
- 일반주제명
- Musical performances
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 키워드
- Neoclassicism
- 기타저자
- University of Washington Music
- 기본자료저록
- Dissertations Abstracts International. 87-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aXu, Miaojun.
■24510▼aRavel and Neoclassicism: Dialogues With the Past in Modernist Contexts
■260 ▼a[Sl]▼bUniversity of Washington▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a98 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-01, Section: A.
■500 ▼aAdvisor: Sheppard, Craig.
■5021 ▼aThesis (D.M.A.)--University of Washington, 2025.
■520 ▼aMaurice Ravel's connection to Impressionism frequently eclipses the intricacy and diversity of his compositional style. This dissertation examines Ravel's relationship with Neoclassicism, highlighting his fusion of classical forms and innovative harmonic creativity. The first chapter explores Ravel's formative years with Les Apaches, a collective of artists who influenced his artistic trajectory. The second chapter investigates Ravel's wartime experiences and the role of Neoclassicism during the interwar period in the Franco-German musical context. The final chapter analyzes Le Tombeau de Couperin, illustrating Ravel's use of Neoclassical elements to address personal and national themes in the post-World War I era. This dissertation contends that Ravel's Neoclassicism was not merely a stylistic adoption but a deeply personal and philosophical stance. His music reveals an unwavering commitment to artistic integrity, striking a balance between reverence for tradition and forward-thinking innovation.
■590 ▼aSchool code: 0250.
■650 4▼aMusical performances
■650 4▼aMusic
■650 4▼aMusical composition
■653 ▼aCompositional style
■653 ▼aModernist contexts
■653 ▼aNeoclassicism
■653 ▼aHarmonic creativity
■690 ▼a0943
■690 ▼a0214
■690 ▼a0413
■71020▼aUniversity of Washington▼bMusic.
■7730 ▼tDissertations Abstracts International▼g87-01A.
■790 ▼a0250
■791 ▼aD.M.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358306▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
