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Structure and Perception: The Rhythmic Canon in the Music of Olivier Messiaen
Structure and Perception: The Rhythmic Canon in the Music of Olivier Messiaen
Structure and Perception: The Rhythmic Canon in the Music of Olivier Messiaen

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202105205
ISBN  
9798290947952
DDC  
780
저자명  
Schafer, Jacob.
서명/저자  
Structure and Perception: The Rhythmic Canon in the Music of Olivier Messiaen
발행사항  
[Sl] : Rice University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
115 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-02, Section: A.
주기사항  
Advisor: Blattler, Damian.
학위논문주기  
Thesis (D.M.A.)--Rice University, 2025.
초록/해제  
요약In the early to mid-twentieth century, an increased interest in complex rhythmic structures led to a resurgence of interest in the rhythmic canon. Olivier Messiaen was an influential innovator and practitioner of this technique, incorporating rhythmic canons in many of his works. Messiaen's most important contribution was to treat rhythm as a parameter independent of pitch that could undergo complex development within a canonic structure on its own terms. In this document, I examine Messiaen's rhythmic canons in the context of his broader compositional language, exploring their structure, formal function, and perceptual implications. First, I survey Messiaen's compositional techniques most relevant for his canonic writing. Then, I propose a typology for analyzing Messiaen's canons and discuss examples within each type: pitch canons, rhythmic canons by displacement, rhythmic canons by augmentation, and rhythmic canons by retrograde. Analysis of individual canons reveals how Messiaen's compositional decisions respond to the compositional and perceptual tendencies inherent to each type of canon, and the proposed typological framework lays the groundwork for a better understanding of the general musical possibilities of the rhythmic canon.
일반주제명  
Music
일반주제명  
Musical composition
일반주제명  
Music theory
키워드  
Messiaen
키워드  
Rhythmic canons
키워드  
Rhythmic structures
기타저자  
Rice University Music
기본자료저록  
Dissertations Abstracts International. 87-02A.
전자적 위치 및 접속  
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MARC

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■1001  ▼aSchafer,  Jacob.
■24510▼aStructure  and  Perception:  The  Rhythmic  Canon  in  the  Music  of  Olivier  Messiaen
■260    ▼a[Sl]▼bRice  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
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■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-02,  Section:  A.
■500    ▼aAdvisor:  Blattler,  Damian.
■5021  ▼aThesis  (D.M.A.)--Rice  University,  2025.
■520    ▼aIn  the  early  to  mid-twentieth  century,  an  increased  interest  in  complex  rhythmic  structures  led  to  a  resurgence  of  interest  in  the  rhythmic  canon.  Olivier  Messiaen  was  an  influential  innovator  and  practitioner  of  this  technique,  incorporating  rhythmic  canons  in  many  of  his  works.  Messiaen's  most  important  contribution  was  to  treat  rhythm  as  a  parameter  independent  of  pitch  that  could  undergo  complex  development  within  a  canonic  structure  on  its  own  terms.  In  this  document,  I  examine  Messiaen's  rhythmic  canons  in  the  context  of  his  broader  compositional  language,  exploring  their  structure,  formal  function,  and  perceptual  implications.  First,  I  survey  Messiaen's  compositional  techniques  most  relevant  for  his  canonic  writing.  Then,  I  propose  a  typology  for  analyzing  Messiaen's  canons  and  discuss  examples  within  each  type:  pitch  canons,  rhythmic  canons  by  displacement,  rhythmic  canons  by  augmentation,  and  rhythmic  canons  by  retrograde.  Analysis  of  individual  canons  reveals  how  Messiaen's  compositional  decisions  respond  to  the  compositional  and  perceptual  tendencies  inherent  to  each  type  of  canon,  and  the  proposed  typological  framework  lays  the  groundwork  for  a  better  understanding  of  the  general  musical  possibilities  of  the  rhythmic  canon.
■590    ▼aSchool  code:  0187.
■650  4▼aMusic
■650  4▼aMusical  composition
■650  4▼aMusic  theory
■653    ▼aMessiaen
■653    ▼aRhythmic  canons
■653    ▼aRhythmic  structures
■690    ▼a0413
■690    ▼a0214
■690    ▼a0221
■71020▼aRice  University▼bMusic.
■7730  ▼tDissertations  Abstracts  International▼g87-02A.
■790    ▼a0187
■791    ▼aD.M.A.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359733▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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