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Italian Terrors The Gothic Across Media
Italian Terrors The Gothic Across Media
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202104716
- ISBN
- 9798293888856
- DDC
- 850
- 서명/저자
- Italian Terrors The Gothic Across Media
- 발행사항
- [Sl] : New York University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 170 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisor: Refini, Eugenio;Forgacs, David.
- 학위논문주기
- Thesis (Ph.D.)--New York University, 2025.
- 초록/해제
- 요약This dissertation examines how Gothic aesthetics shape Italian artistic and literary production across multiple media during the long 19th century. While the Gothic has often been framed as an imported or marginal phenomenon in Italy, I argue that Italian artists and writers actively engaged with Gothic themes, often displacing or transforming them through intermedial strategies. By focusing on four case studies, Giovanni Battista Piranesi's Carceri (etchings), Alessandro Manzoni's I promessi sposi (literature and illustration), Gaetano Donizetti's Lucia di Lammermoor (opera), and Carmine Gallone's 1917 adaptation of Malombra (cinema), this study shows how intermediality complicates existing narratives of the Italian Gothic.
- 일반주제명
- Italian literature
- 일반주제명
- Art history
- 일반주제명
- Aesthetics
- 키워드
- Gothic
- 키워드
- Intermediality
- 키워드
- Italian Gothic
- 기타저자
- New York University Italian Studies
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
■007cr#unu||||||||
■020 ▼a9798293888856
■035 ▼a(MiAaPQ)AAI32120271
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a850
■1001 ▼aBattaglia, Marco Calogero.
■24510▼aItalian Terrors The Gothic Across Media
■260 ▼a[Sl]▼bNew York University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a170 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisor: Refini, Eugenio;Forgacs, David.
■5021 ▼aThesis (Ph.D.)--New York University, 2025.
■520 ▼aThis dissertation examines how Gothic aesthetics shape Italian artistic and literary production across multiple media during the long 19th century. While the Gothic has often been framed as an imported or marginal phenomenon in Italy, I argue that Italian artists and writers actively engaged with Gothic themes, often displacing or transforming them through intermedial strategies. By focusing on four case studies, Giovanni Battista Piranesi's Carceri (etchings), Alessandro Manzoni's I promessi sposi (literature and illustration), Gaetano Donizetti's Lucia di Lammermoor (opera), and Carmine Gallone's 1917 adaptation of Malombra (cinema), this study shows how intermediality complicates existing narratives of the Italian Gothic.
■590 ▼aSchool code: 0146.
■650 4▼aItalian literature
■650 4▼aArt history
■650 4▼aAesthetics
■653 ▼aGothic
■653 ▼aIntermediality
■653 ▼aItalian Gothic
■690 ▼a0220
■690 ▼a0377
■690 ▼a0650
■71020▼aNew York University▼bItalian Studies.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■790 ▼a0146
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358540▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
