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The Post-Bop Interactive Jazz Guitar Trio: A Comparative Analysis of the Trio Styles of Guitarist Jim Hall (1930-2013) and Pianist Bill Evans (1929-1980)
The Post-Bop Interactive Jazz Guitar Trio: A Comparative Analysis of the Trio Styles of Guitarist Jim Hall (1930-2013) and Pianist Bill Evans (1929-1980)
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260311091540.5
- ISBN
- 9798293820528
- DDC
- 786
- 서명/저자
- The Post-Bop Interactive Jazz Guitar Trio: A Comparative Analysis of the Trio Styles of Guitarist Jim Hall (1930-2013) and Pianist Bill Evans (1929-1980) / William Skye St. Peter
- 발행사항
- [Sl] : University of North Texas, 2025
- 형태사항
- 1 electronic resource (52 pages)
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisors: Mooney, Davy Committee members: Teal, Kimberly Hannon; Seaton, Lynn.
- 학위논문주기
- - A.Mus.D. : University of North Texas, 2025.
- 초록/해제
- 요약This dissertation investigates the post-bop interactive jazz trio through a comparative analysis of trios led by guitarist Jim Hall and pianist Bill Evans, two influential figures who redefined ensemble roles within the jazz trio format. While Evans's trio is widely credited with advancing a conversational, contrapuntal approach among piano, bass, and drums, this study argues that Hall developed a similarly interactive style within his guitar trio, particularly as documented on the 1975 live album Live!. Using descriptive analysis of original transcriptions of recordings from both the Bill Evans Trio and Jim Hall's trio, the study examines how each ensemble member contributes melodically and rhythmically, and how they interact musically across selected recordings. The analysis focuses on instances of monologic and dialogic interaction to demonstrate how Hall's trio utilizes the interdependent aesthetics often attributed to the Bill Evans Trio. By highlighting Hall's underexplored innovations in the context of jazz guitar trio performance, this research contributes to a deeper understanding of interaction in jazz and expands Hall's role within the lineage of jazz guitar.
- 언어주기
- English
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Musical performances
- 키워드
- Post-bop trio
- 키워드
- Jazz guitar
- 키워드
- Jazz trio
- 키워드
- Pianist
- 기타저자
- University of North Texas Division of Jazz Studies
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
■007cr|nu||||||||
■020 ▼a9798293820528
■040 ▼aMiAaPQD▼beng▼cMiAaPQD▼erda
■082 ▼a786
■1001 ▼aSt. Peter, William Skye▼eauthor.
■24510▼aThe Post-Bop Interactive Jazz Guitar Trio: A Comparative Analysis of the Trio Styles of Guitarist Jim Hall (1930-2013) and Pianist Bill Evans (1929-1980) ▼cWilliam Skye St. Peter
■260 ▼a[Sl]▼bUniversity of North Texas▼c2025
■264 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a1 electronic resource (52 pages)
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisors: Mooney, Davy Committee members: Teal, Kimberly Hannon; Seaton, Lynn.
■5021 ▼bA.Mus.D.▼cUniversity of North Texas▼d2025.
■520 ▼aThis dissertation investigates the post-bop interactive jazz trio through a comparative analysis of trios led by guitarist Jim Hall and pianist Bill Evans, two influential figures who redefined ensemble roles within the jazz trio format. While Evans's trio is widely credited with advancing a conversational, contrapuntal approach among piano, bass, and drums, this study argues that Hall developed a similarly interactive style within his guitar trio, particularly as documented on the 1975 live album Live!. Using descriptive analysis of original transcriptions of recordings from both the Bill Evans Trio and Jim Hall's trio, the study examines how each ensemble member contributes melodically and rhythmically, and how they interact musically across selected recordings. The analysis focuses on instances of monologic and dialogic interaction to demonstrate how Hall's trio utilizes the interdependent aesthetics often attributed to the Bill Evans Trio. By highlighting Hall's underexplored innovations in the context of jazz guitar trio performance, this research contributes to a deeper understanding of interaction in jazz and expands Hall's role within the lineage of jazz guitar.
■546 ▼aEnglish
■590 ▼aSchool code: 0158
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusical performances
■653 ▼aPost-bop trio
■653 ▼aJazz guitar
■653 ▼aJazz trio
■653 ▼aPianist
■7102 ▼aUniversity of North Texas▼bDivision of Jazz Studies.▼edegree granting institution.
■7201 ▼aMooney, Davy▼edegree supervisor.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360222▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
