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Form and Structure in Part II of Gustav Mahler's (1860-1911) Symphony No.8 Using Kofi Agawu's Paradigmatic Analysis
Form and Structure in Part II of Gustav Mahler's (1860-1911) Symphony No.8 Using Kofi Agawu's Paradigmatic Analysis
Detailed Information
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260311091543.5
- ISBN
- 9798293821037
- DDC
- 780.92
- 서명/저자
- Form and Structure in Part II of Gustav Mahlers (1860-1911) <em>Symphony No.8</em> Using Kofi Agawus Paradigmatic Analysis / Charles Andersen
- 발행사항
- [Sl] : University of North Texas, 2025
- 형태사항
- 1 electronic resource (54 pages)
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisors: Itkin, David Committee members: Couturiaux, Clay; Graf, Benjamin.
- 학위논문주기
- - A.Mus.D. : University of North Texas, 2025.
- 초록/해제
- 요약The structure of Mahler's Eighth Symphony understandably causes disagreements among prominent analysts. Set in only two large-scale movements, or parts, it is one of the most structurally unique symphonies in Mahler's output. While many analysts come to an agreement on the form of the first part relating to sonata form, the colossal scale of Part II poses a greater challenge. Since Part II occupies nearly sixty minutes of an eighty-minute performance and accounts for 1,572 of the 2,152 total measures, the difficulty of comprehending this vast structure is tenable. Even with the large proportions, most analysts only briefly address structure and form in as little as a sentence or two. The purpose of this study is to find structural patterns in the movement with the possibility of relating to conventional forms. Finding formal clarity in such an ambiguously structured piece helps enable more informed and secure performances with a stronger sense of musical direction. In addition to aiding performances, these ideas on the structure will contribute to others' analyses of the piece in either countering the findings or contributing to them. Since many analysts do not address Part II of Mahler's Eighth Symphony, this analysis may help to encourage a more thorough approach from established theorists and authors.
- 언어주기
- English
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Musical performances
- 키워드
- Eighth Symphony
- 키워드
- Mahler, Gustav
- 키워드
- Sonata form
- 키워드
- Agawu, Kofi
- 기타저자
- University of North Texas Division of Conducting and Ensembles
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
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■020 ▼a9798293821037
■040 ▼aMiAaPQD▼beng▼cMiAaPQD▼erda
■082 ▼a780.92
■1001 ▼aAndersen, Charles▼eauthor.
■24510▼aForm and Structure in Part II of Gustav Mahler's (1860-1911) emSymphony No.8/em Using Kofi Agawu's Paradigmatic Analysis ▼cCharles Andersen
■260 ▼a[Sl]▼bUniversity of North Texas▼c2025
■264 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a1 electronic resource (54 pages)
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisors: Itkin, David Committee members: Couturiaux, Clay; Graf, Benjamin.
■5021 ▼bA.Mus.D.▼cUniversity of North Texas▼d2025.
■520 ▼aThe structure of Mahler's Eighth Symphony understandably causes disagreements among prominent analysts. Set in only two large-scale movements, or parts, it is one of the most structurally unique symphonies in Mahler's output. While many analysts come to an agreement on the form of the first part relating to sonata form, the colossal scale of Part II poses a greater challenge. Since Part II occupies nearly sixty minutes of an eighty-minute performance and accounts for 1,572 of the 2,152 total measures, the difficulty of comprehending this vast structure is tenable. Even with the large proportions, most analysts only briefly address structure and form in as little as a sentence or two. The purpose of this study is to find structural patterns in the movement with the possibility of relating to conventional forms. Finding formal clarity in such an ambiguously structured piece helps enable more informed and secure performances with a stronger sense of musical direction. In addition to aiding performances, these ideas on the structure will contribute to others' analyses of the piece in either countering the findings or contributing to them. Since many analysts do not address Part II of Mahler's Eighth Symphony, this analysis may help to encourage a more thorough approach from established theorists and authors.
■546 ▼aEnglish
■590 ▼aSchool code: 0158
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusical performances
■653 ▼aEighth Symphony
■653 ▼aMahler, Gustav
■653 ▼aSonata form
■653 ▼aAgawu, Kofi
■7102 ▼aUniversity of North Texas▼bDivision of Conducting and Ensembles.▼edegree granting institution.
■7201 ▼aItkin, David▼edegree supervisor.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360225▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
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