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Pushing the Medium Forward: Commissioned Wind Band Works From Female Composers
Pushing the Medium Forward: Commissioned Wind Band Works From Female Composers
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260311091543.5
- ISBN
- 9798293821235
- DDC
- 780
- 서명/저자
- Pushing the Medium Forward: Commissioned Wind Band Works From Female Composers / Jerianne Sue Larson
- 발행사항
- [Sl] : University of North Texas, 2025
- 형태사항
- 1 electronic resource (96 pages)
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisors: Corporon, Eugene Migliaro Committee members: Trachsel, Andrew; Montemayor, Mark.
- 학위논문주기
- - A.Mus.D. : University of North Texas, 2025.
- 초록/해제
- 요약Since the early 1900s, wind band conductors have encouraged composers to write original works for the medium. Through commissioning projects, the body of wind band repertoire has grown significantly over the past century. Historically, these commissions have heavily favored male-identifying composers, and it was not until the last several decades that contributions from female composers regularly occurred. This document reviews early female wind band composers and the societal standards of the early-20th century that limited female composer output in a male-dominated field, discusses the initial wave of female composers commissioned to write for wind band, investigates contemporary wind works from female composers, and presents aspirations for the future of female wind band composers. For the purpose of this study, three contemporary female composers whose compositional output for winds includes commissions from significant entities such as CBDNA and "The President's Own" United States Marine Band, are considered. Multiverse by Clarice Assad, Cenizas by Gilda Lyons, and Press On by Jessica Meyer are used to represent the ongoing practice of commissioning original works for wind band from female composers. In addition to each of these works being discussed, the aforementioned composers were interviewed, allowing them to share their thoughts about their compositional output for band, their personal musical journeys, and their hopes for the next generation of female wind band composers.
- 언어주기
- English
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Musical composition
- 일반주제명
- Musical performances
- 키워드
- Wind band
- 키워드
- Lyons, Gilda
- 키워드
- Meyer, Jessica
- 키워드
- Assad, Clarice
- 키워드
- Female composers
- 기타저자
- University of North Texas Division of Conducting and Ensembles
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520260311091543.5
■006m o d
■007cr|nu||||||||
■020 ▼a9798293821235
■040 ▼aMiAaPQD▼beng▼cMiAaPQD▼erda
■082 ▼a780
■1001 ▼aLarson, Jerianne Sue▼eauthor.
■24510▼aPushing the Medium Forward: Commissioned Wind Band Works From Female Composers ▼cJerianne Sue Larson
■260 ▼a[Sl]▼bUniversity of North Texas▼c2025
■264 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a1 electronic resource (96 pages)
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisors: Corporon, Eugene Migliaro Committee members: Trachsel, Andrew; Montemayor, Mark.
■5021 ▼bA.Mus.D.▼cUniversity of North Texas▼d2025.
■520 ▼aSince the early 1900s, wind band conductors have encouraged composers to write original works for the medium. Through commissioning projects, the body of wind band repertoire has grown significantly over the past century. Historically, these commissions have heavily favored male-identifying composers, and it was not until the last several decades that contributions from female composers regularly occurred. This document reviews early female wind band composers and the societal standards of the early-20th century that limited female composer output in a male-dominated field, discusses the initial wave of female composers commissioned to write for wind band, investigates contemporary wind works from female composers, and presents aspirations for the future of female wind band composers. For the purpose of this study, three contemporary female composers whose compositional output for winds includes commissions from significant entities such as CBDNA and "The President's Own" United States Marine Band, are considered. Multiverse by Clarice Assad, Cenizas by Gilda Lyons, and Press On by Jessica Meyer are used to represent the ongoing practice of commissioning original works for wind band from female composers. In addition to each of these works being discussed, the aforementioned composers were interviewed, allowing them to share their thoughts about their compositional output for band, their personal musical journeys, and their hopes for the next generation of female wind band composers.
■546 ▼aEnglish
■590 ▼aSchool code: 0158
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusical composition
■650 4▼aMusical performances
■653 ▼aWind band
■653 ▼aLyons, Gilda
■653 ▼aMeyer, Jessica
■653 ▼aAssad, Clarice
■653 ▼aFemale composers
■7102 ▼aUniversity of North Texas▼bDivision of Conducting and Ensembles.▼edegree granting institution.
■7201 ▼aCorporon, Eugene Migliaro▼edegree supervisor.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360226▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
