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Finding a Place in the Band Room: The Female Saxophonist's Self-Concept, Identity, and Experience
Finding a Place in the Band Room: The Female Saxophonist's Self-Concept, Identity, and Exp...
Finding a Place in the Band Room: The Female Saxophonist's Self-Concept, Identity, and Experience

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260311091543.5
ISBN  
9798293821204
DDC  
788
저자명  
Peterson, Mikayla Lisa
서명/저자  
Finding a Place in the Band Room: The Female Saxophonists Self-Concept, Identity, and Experience / Mikayla Lisa Peterson
발행사항  
[Sl] : University of North Texas, 2025
형태사항  
1 electronic resource (165 pages)
주기사항  
Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
주기사항  
Advisors: Nestler, Eric; Powell, Sean Committee members: Clardy, Mary Karen.
학위논문주기  
- D.M.A. : University of North Texas, 2025.
초록/해제  
요약This multiple case study highlights the experiences of female high school saxophonists enrolled at a co-educational and single-gender high school. The beginning of the document begins with a brief synopsis of the history of each learning environment and how both have historically affected student self-concept and identity. This project was conducted in two places: At an all-female high school on the East Coast and a co-educational high school in the Southern United States. The students and teachers from each school were observed in their music courses and interviewed at least once during the study by the researcher. The data collection process yielded six different themes among students and teachers at the single-gender high school including (a) Community, Peer, and Teacher Influence (b) Desire for Teacher and Peer Validation (c) Gender Stereotyping of Musical Instruments (d) Representation and Role Models (e) Gender-Specific Pedagogy and Practice and (f) Unique Educational Fulfillment. The data analysis process indicated four themes at the co-educational high school in the Southern U.S., including (a) Band as a "Team" (b) Process Over Product in Competition (c) Representation and Valuing Differences and (d) Male Superiority and Female Confidence. The intent of this study was not to generalize the experience of all female saxophonists, but to give a voice to students in this unique community and provide further understanding of each type of learning environment. The document concludes with the researcher's findings and four simple implications for teachers in music education.
언어주기  
English
일반주제명  
Music
일반주제명  
Musical composition
일반주제명  
Musical performances
일반주제명  
Music education
키워드  
Co-education
키워드  
Female
키워드  
Single-gender
키워드  
Self-concept
키워드  
High school
키워드  
Saxophonist
기타저자  
University of North Texas Division of Instrumental Studies
기본자료저록  
Dissertations Abstracts International. 87-03A.
전자적 위치 및 접속  
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MARC

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■040    ▼aMiAaPQD▼beng▼cMiAaPQD▼erda
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■1001  ▼aPeterson,  Mikayla  Lisa▼eauthor.
■24510▼aFinding  a  Place  in  the  Band  Room:  The  Female  Saxophonist's  Self-Concept,  Identity,  and  Experience  ▼cMikayla  Lisa  Peterson
■260    ▼a[Sl]▼bUniversity  of  North  Texas▼c2025
■264  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a1  electronic  resource  (165  pages)
■336    ▼atext▼btxt▼2rdacontent
■337    ▼acomputer▼bc▼2rdamedia
■338    ▼aonline  resource▼bcr▼2rdacarrier
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-03,  Section:  A.
■500    ▼aAdvisors:  Nestler,  Eric;  Powell,  Sean    Committee  members:  Clardy,  Mary  Karen.
■5021  ▼bD.M.A.▼cUniversity  of  North  Texas▼d2025.
■520    ▼aThis  multiple  case  study  highlights  the  experiences  of  female  high  school  saxophonists  enrolled  at  a  co-educational  and  single-gender  high  school.  The  beginning  of  the  document  begins  with  a  brief  synopsis  of  the  history  of  each  learning  environment  and  how  both  have  historically  affected  student  self-concept  and  identity.  This  project  was  conducted  in  two  places:  At  an  all-female  high  school  on  the  East  Coast  and  a  co-educational  high  school  in  the  Southern  United  States.  The  students  and  teachers  from  each  school  were  observed  in  their  music  courses  and  interviewed  at  least  once  during  the  study  by  the  researcher.  The  data  collection  process  yielded  six  different  themes  among  students  and  teachers  at  the  single-gender  high  school  including  (a)  Community,  Peer,  and  Teacher  Influence  (b)  Desire  for  Teacher  and  Peer  Validation  (c)  Gender  Stereotyping  of  Musical  Instruments  (d)  Representation  and  Role  Models  (e)  Gender-Specific  Pedagogy  and  Practice  and  (f)  Unique  Educational  Fulfillment.  The  data  analysis  process  indicated  four  themes  at  the  co-educational  high  school  in  the  Southern  U.S.,  including  (a)  Band  as  a  "Team"  (b)  Process  Over  Product  in  Competition  (c)  Representation  and  Valuing  Differences  and  (d)  Male  Superiority  and  Female  Confidence.  The  intent  of  this  study  was  not  to  generalize  the  experience  of  all  female  saxophonists,  but  to  give  a  voice  to  students  in  this  unique  community  and  provide  further  understanding  of  each  type  of  learning  environment.  The  document  concludes  with  the  researcher's  findings  and  four  simple  implications  for  teachers  in  music  education.
■546    ▼aEnglish
■590    ▼aSchool  code:  0158
■650  4▼aMusic
■650  4▼aMusical  composition
■650  4▼aMusical  performances
■650  4▼aMusic  education
■653    ▼aCo-education
■653    ▼aFemale
■653    ▼aSingle-gender
■653    ▼aSelf-concept
■653    ▼aHigh  school
■653    ▼aSaxophonist
■7102  ▼aUniversity  of  North  Texas▼bDivision  of  Instrumental  Studies.▼edegree  granting  institution.
■7201  ▼aNestler,  Eric▼edegree  supervisor.
■7201  ▼aPowell,  Sean▼edegree  supervisor.
■7730  ▼tDissertations  Abstracts  International▼g87-03A.
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360229▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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