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Housewives, Writers, and Communists: Staging Domesticity in Imperial Germany
Housewives, Writers, and Communists: Staging Domesticity in Imperial Germany
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202104802
- ISBN
- 9798293871599
- DDC
- 792
- 서명/저자
- Housewives, Writers, and Communists: Staging Domesticity in Imperial Germany
- 발행사항
- [Sl] : University of Minnesota, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 306 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisor: Werry, Margaret L.;Pahwa, Sonali.
- 학위논문주기
- Thesis (Ph.D.)--University of Minnesota, 2025.
- 초록/해제
- 요약Domesticity is frequently seen as banal, innocuous, and every day, yet for the German Empire, it was an ideological apparatus rooted in systems of oppression inside and outside of Europe. German women playwrights used their plays to question, critique, and reimagine the labor expected of the German Hausfrau (housewife) at the turn of the 20th century. My dissertation examines domesticity as an aesthetic project and situates the performance of labor as a process of gender embodiment. These playwrights illuminate the oppression sedimented within the body of the Hausfrau and the violence inherent to household commodities imported from global colonies. This project emphasizes the layers of oppression within capitalism: these playwrights unwittingly make visible the colonial lineaments of their own domestic oppression, which intervenes in the existing literature on these subjects by tracing the embeddedness of colonial imports to every facet of German life. My research uses modern feminist and Marxist analysis to examine how theatrical devices and practices uniquely enabled women's critique of domesticity and how their unmasking of the scripted quality of gender and domesticity revealed the colonial oppression necessary for those systems to function. In doing so, they transformed the living room into a microcosm of the economic, social, and political issues facing Germany, Austria, and the colonization practices of Europe.
- 일반주제명
- Theater history
- 일반주제명
- German literature
- 일반주제명
- Womens studies
- 일반주제명
- Gender studies
- 일반주제명
- Aesthetics
- 키워드
- Colonialsim
- 키워드
- Labor
- 키워드
- Motherhood
- 키워드
- Performance
- 기타저자
- University of Minnesota Theatre Arts
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
■007cr#unu||||||||
■020 ▼a9798293871599
■035 ▼a(MiAaPQ)AAI32164674
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a792
■1001 ▼aMcKeever, Greta Marie Gebhard.
■24510▼aHousewives, Writers, and Communists: Staging Domesticity in Imperial Germany
■260 ▼a[Sl]▼bUniversity of Minnesota▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a306 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisor: Werry, Margaret L.;Pahwa, Sonali.
■5021 ▼aThesis (Ph.D.)--University of Minnesota, 2025.
■520 ▼aDomesticity is frequently seen as banal, innocuous, and every day, yet for the German Empire, it was an ideological apparatus rooted in systems of oppression inside and outside of Europe. German women playwrights used their plays to question, critique, and reimagine the labor expected of the German Hausfrau (housewife) at the turn of the 20th century. My dissertation examines domesticity as an aesthetic project and situates the performance of labor as a process of gender embodiment. These playwrights illuminate the oppression sedimented within the body of the Hausfrau and the violence inherent to household commodities imported from global colonies. This project emphasizes the layers of oppression within capitalism: these playwrights unwittingly make visible the colonial lineaments of their own domestic oppression, which intervenes in the existing literature on these subjects by tracing the embeddedness of colonial imports to every facet of German life. My research uses modern feminist and Marxist analysis to examine how theatrical devices and practices uniquely enabled women's critique of domesticity and how their unmasking of the scripted quality of gender and domesticity revealed the colonial oppression necessary for those systems to function. In doing so, they transformed the living room into a microcosm of the economic, social, and political issues facing Germany, Austria, and the colonization practices of Europe.
■590 ▼aSchool code: 0130.
■650 4▼aTheater history
■650 4▼aGerman literature
■650 4▼aWomens studies
■650 4▼aGender studies
■650 4▼aAesthetics
■653 ▼aColonialsim
■653 ▼aLabor
■653 ▼aMotherhood
■653 ▼aPerformance
■653 ▼aGerman women playwrights
■690 ▼a0644
■690 ▼a0453
■690 ▼a0311
■690 ▼a0733
■690 ▼a0650
■71020▼aUniversity of Minnesota▼bTheatre Arts.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■790 ▼a0130
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358860▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
