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Chinese Typewriters Speak: The Political Power of Writing Machines in 20th-Century China
Chinese Typewriters Speak: The Political Power of Writing Machines in 20th-Century China
Chinese Typewriters Speak: The Political Power of Writing Machines in 20th-Century China

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202105138
ISBN  
9798293872541
DDC  
900
저자명  
Yao, Miaofeng.
서명/저자  
Chinese Typewriters Speak: The Political Power of Writing Machines in 20th-Century China
발행사항  
[Sl] : University of Minnesota, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
205 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
주기사항  
Advisor: Alexander, Jennifer K.
학위논문주기  
Thesis (Ph.D.)--University of Minnesota, 2025.
초록/해제  
요약Typewriters have long been recognized as potentially subversive tools. Alphabetic typewriters, in particular, have been regarded as political instruments-states such as the former East Germany and the Soviet Union restricted their ownership, requiring special licenses or banning them outright for ordinary citizens. In the Chinese context, developing a typing system for a character-based language was an enormously complex challenge, leading to the creation of a wide range of typing machines and systems. A remarkably diverse group of prominent figures in the 20th century, including social activists, businessmen, statesmen, literary celebrities, and technocrats, sought to meet this challenge.This dissertation explores the development of Chinese typewriters from the 1910s through the 1960s. The mechanisms of Chinese typewriters varied significantly from one another. Yet a Chinese typewriter was more than just a mechanism-it carried cultural, political, and linguistic significance in ways that alphabetic typewriters did not, and perhaps did not need to. Inventors came from a wide range of backgrounds, including writers, philosophers, linguists, statesmen, businesspeople, and international figures. This dissertation asks: Why, during this period, did such a wide range of Chinese typewriter mechanisms emerge? And why, during this period, did such a diverse array of individuals become involved in their invention? Thus, this dissertation is about the socio-political power of writing and information machines in the 20th-century China. It is not just about typewriters.This dissertation classifies Chinese typewriters designed in the 20th century into two kinds, rote-typing machines and intuitive-typing machines, and introduces a new and useful analytical method: memory burden, defined as the demand for rote memorization imposed by a machine that held no utility for the typist beyond its operation. Rote-typing machines imposed a heavy memory burden, requiring users to memorize the position or code of thousands of characters loaded in the machine. In contrast, intuitive-typing machines relied on human users' intuitive abilities, such as recognizing geometric shapes, to reduce or even eliminate the need for rote memorization in operating the machine.This dissertation argues that the two major kinds of Chinese typewriters developed in the 20th century embodied distinct political orientations. Rote-typing adapted humans to machines, imposing a heavy memory burden and requiring formal training often regulated by the state. By contrast, intuitive-typing adapted machines to humans, drawing on innate cognitive abilities and minimizing the demands on memory. Rote-typing, exemplified by the devices of Shu Zhengdong and Gao Zhongqin, sought to integrate both typists and machines into the nation's broader modernization goals. These machines emphasized personal sacrifice and subordinated both operators and technology to the authority of the central government. Intuitive-typing machines were made by Zhou Houkun, Gao Lu, and Lin Yutang. They were designed to be intelligible without formal training (buxue erneng), and they allowed users to function independently, eliminating reliance on training schools or specialized typists. These inventors prioritized personal autonomy and considered it fundamental to national prosperity.
일반주제명  
History
일반주제명  
Science history
일반주제명  
Language
일반주제명  
Asian history
키워드  
Chinese
키워드  
Language technology
키워드  
Modern China
키워드  
Modernity
키워드  
Typewriters
키워드  
Writing
기타저자  
University of Minnesota History of Science Technology and Medicine
기본자료저록  
Dissertations Abstracts International. 87-03A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■24510▼aChinese  Typewriters  Speak:  The  Political  Power  of  Writing  Machines  in  20th-Century  China
■260    ▼a[Sl]▼bUniversity  of  Minnesota▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a205  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-03,  Section:  A.
■500    ▼aAdvisor:  Alexander,  Jennifer  K.
■5021  ▼aThesis  (Ph.D.)--University  of  Minnesota,  2025.
■520    ▼aTypewriters  have  long  been  recognized  as  potentially  subversive  tools.  Alphabetic  typewriters,  in  particular,  have  been  regarded  as  political  instruments-states  such  as  the  former  East  Germany  and  the  Soviet  Union  restricted  their  ownership,  requiring  special  licenses  or  banning  them  outright  for  ordinary  citizens.  In  the  Chinese  context,  developing  a  typing  system  for  a  character-based  language  was  an  enormously  complex  challenge,  leading  to  the  creation  of  a  wide  range  of  typing  machines  and  systems.  A  remarkably  diverse  group  of  prominent  figures  in  the  20th  century,  including  social  activists,  businessmen,  statesmen,  literary  celebrities,  and  technocrats,  sought  to  meet  this  challenge.This  dissertation  explores  the  development  of  Chinese  typewriters  from  the  1910s  through  the  1960s.  The  mechanisms  of  Chinese  typewriters  varied  significantly  from  one  another.  Yet  a  Chinese  typewriter  was  more  than  just  a  mechanism-it  carried  cultural,  political,  and  linguistic  significance  in  ways  that  alphabetic  typewriters  did  not,  and  perhaps  did  not  need  to.  Inventors  came  from  a  wide  range  of  backgrounds,  including  writers,  philosophers,  linguists,  statesmen,  businesspeople,  and  international  figures.  This  dissertation  asks:  Why,  during  this  period,  did  such  a  wide  range  of  Chinese  typewriter  mechanisms  emerge?  And  why,  during  this  period,  did  such  a  diverse  array  of  individuals  become  involved  in  their  invention?  Thus,  this  dissertation  is  about  the  socio-political  power  of  writing  and  information  machines  in  the  20th-century  China.  It  is  not  just  about  typewriters.This  dissertation  classifies  Chinese  typewriters  designed  in  the  20th  century  into  two  kinds,  rote-typing  machines  and  intuitive-typing  machines,  and  introduces  a  new  and  useful  analytical  method:  memory  burden,  defined  as  the  demand  for  rote  memorization  imposed  by  a  machine  that  held  no  utility  for  the  typist  beyond  its  operation.  Rote-typing  machines  imposed  a  heavy  memory  burden,  requiring  users  to  memorize  the  position  or  code  of  thousands  of  characters  loaded  in  the  machine.  In  contrast,  intuitive-typing  machines  relied  on  human  users'  intuitive  abilities,  such  as  recognizing  geometric  shapes,  to  reduce  or  even  eliminate  the  need  for  rote  memorization  in  operating  the  machine.This  dissertation  argues  that  the  two  major  kinds  of  Chinese  typewriters  developed  in  the  20th  century  embodied  distinct  political  orientations.  Rote-typing  adapted  humans  to  machines,  imposing  a  heavy  memory  burden  and  requiring  formal  training  often  regulated  by  the  state.  By  contrast,  intuitive-typing  adapted  machines  to  humans,  drawing  on  innate  cognitive  abilities  and  minimizing  the  demands  on  memory.  Rote-typing,  exemplified  by  the  devices  of  Shu  Zhengdong  and  Gao  Zhongqin,  sought  to  integrate  both  typists  and  machines  into  the  nation's  broader  modernization  goals.  These  machines  emphasized  personal  sacrifice  and  subordinated  both  operators  and  technology  to  the  authority  of  the  central  government.  Intuitive-typing  machines  were  made  by  Zhou  Houkun,  Gao  Lu,  and  Lin  Yutang.  They  were  designed  to  be  intelligible  without  formal  training  (buxue  erneng),  and  they  allowed  users  to  function  independently,  eliminating  reliance  on  training  schools  or  specialized  typists.  These  inventors  prioritized  personal  autonomy  and  considered  it  fundamental  to  national  prosperity.
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■650  4▼aHistory
■650  4▼aScience  history
■650  4▼aLanguage
■650  4▼aAsian  history
■653    ▼aChinese
■653    ▼aLanguage  technology
■653    ▼aModern  China
■653    ▼aModernity
■653    ▼aTypewriters
■653    ▼aWriting
■690    ▼a0578
■690    ▼a0585
■690    ▼a0332
■690    ▼a0679
■71020▼aUniversity  of  Minnesota▼bHistory  of  Science,  Technology,  and  Medicine.
■7730  ▼tDissertations  Abstracts  International▼g87-03A.
■790    ▼a0130
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359563▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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