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Hollywood Vampire, Metamodern Prometheus: The Performance of Age Identity and the Reclamation of Temporal Difference in Alice Cooper's Shock Rock, 1969 - Present
Hollywood Vampire, Metamodern Prometheus: The Performance of Age Identity and the Reclamation of Temporal Difference in Alice Cooper's Shock Rock, 1969 - Present
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202103051
- ISBN
- 9798286423514
- DDC
- 780
- 서명/저자
- Hollywood Vampire, Metamodern Prometheus: The Performance of Age Identity and the Reclamation of Temporal Difference in Alice Coopers Shock Rock, 1969 - Present
- 발행사항
- [Sl] : New York University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 141 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-12, Section: B.
- 주기사항
- Advisor: Mahon, Maureen.
- 학위논문주기
- Thesis (Ph.D.)--New York University, 2025.
- 초록/해제
- 요약Alice Cooper, the Shock Rock persona of Vincent Furnier and the lead singer of the band called "Alice Cooper", has died on stage thousands of times during performances since the late 1960s/early 1970s-via guillotine, electric chair, hanging, or otherwise-but he has never had to get "old". Every night, the character is reborn, revived, or reanimated: seemingly eighteen years old, even as Alice Cooper the Performer (Vincent Furnier, now legally renamed) himself reaches twenty-one, thirty, and now seventy-seven at the time of this writing. Aging, ageless, and undead, simultaneously and depending on the moment, the artist's personas, music, and stage shows have had and continue to have a unique positionality that allows them to reveal complex intersections of age, time, disability, metamodern authenticity, and certain popular cultures. Through elements like changing vocality, monstrous characters, crutch-and-cane choreography, age-related themes, and humorous, vaudevillian, camp-kitsch shock rock theatrics in his musicking, Alice Cooper serves as an accessible source for artists and fans alike to understand and express age as a performed, mutable identity.
- 일반주제명
- Music
- 일반주제명
- Aging
- 일반주제명
- Sociology
- 일반주제명
- Performing arts
- 키워드
- Cooper, Alice
- 키워드
- Metamodernism
- 키워드
- Shock rock
- 기타저자
- New York University Music
- 기본자료저록
- Dissertations Abstracts International. 86-12B.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aMolloy-Maznek, Kelso.
■24510▼aHollywood Vampire, Metamodern Prometheus: The Performance of Age Identity and the Reclamation of Temporal Difference in Alice Cooper's Shock Rock, 1969 - Present
■260 ▼a[Sl]▼bNew York University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a141 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-12, Section: B.
■500 ▼aAdvisor: Mahon, Maureen.
■5021 ▼aThesis (Ph.D.)--New York University, 2025.
■520 ▼aAlice Cooper, the Shock Rock persona of Vincent Furnier and the lead singer of the band called "Alice Cooper", has died on stage thousands of times during performances since the late 1960s/early 1970s-via guillotine, electric chair, hanging, or otherwise-but he has never had to get "old". Every night, the character is reborn, revived, or reanimated: seemingly eighteen years old, even as Alice Cooper the Performer (Vincent Furnier, now legally renamed) himself reaches twenty-one, thirty, and now seventy-seven at the time of this writing. Aging, ageless, and undead, simultaneously and depending on the moment, the artist's personas, music, and stage shows have had and continue to have a unique positionality that allows them to reveal complex intersections of age, time, disability, metamodern authenticity, and certain popular cultures. Through elements like changing vocality, monstrous characters, crutch-and-cane choreography, age-related themes, and humorous, vaudevillian, camp-kitsch shock rock theatrics in his musicking, Alice Cooper serves as an accessible source for artists and fans alike to understand and express age as a performed, mutable identity.
■590 ▼aSchool code: 0146.
■650 4▼aMusic
■650 4▼aAging
■650 4▼aSociology
■650 4▼aPerforming arts
■653 ▼aAge-related themes
■653 ▼aCooper, Alice
■653 ▼aMetamodernism
■653 ▼aPerformance studies
■653 ▼aShock rock
■690 ▼a0413
■690 ▼a0493
■690 ▼a0626
■690 ▼a0641
■71020▼aNew York University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-12B.
■790 ▼a0146
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17356863▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
