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Madrigal Comedy and the Broader Choral Context for Early Opera
Madrigal Comedy and the Broader Choral Context for Early Opera
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202103146
- ISBN
- 9798315742548
- DDC
- 780
- 서명/저자
- Madrigal Comedy and the Broader Choral Context for Early Opera
- 발행사항
- [Sl] : The University of Arizona, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 74 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-11, Section: A.
- 주기사항
- Advisor: Schauer, Elizabeth.
- 학위논문주기
- Thesis (D.M.A.)--The University of Arizona, 2025.
- 초록/해제
- 요약Madrigal comedy is an important genre in the history of Western music. Traditionally, madrigal comedy has been considered a forerunner of opera. More recently, based on information regarding performance traditions and narrative content, some scholars have argued that madrigal comedy is more appropriately considered a choral genre. Madrigal comedy, particularly L'Amfiparnaso by Orazio Vecchi (1550-1605), does have an important place in the development of choral music; however, it remains an important precursor to opera not only because of common origins and Vecchi's acknowledged influence on early opera composers, but also because of the shared approaches to dramatic story-telling. In this study, I have examined the shared origins of opera and madrigal comedy, and how consideration of these shared origins can help re-contextualize the intersections of these two genres. In support of my argument, I have established a clear link between Orazio Vecchi's madrigal comedy, L'Amfiparnaso, and the earliest operas, including consideration of the association between the composers involved, their shared connection with the Concerto delle Donne, and their common links to the Este courts. I also have compared musical and dramatic aspects of the two genres, including text treatment, melody, rhythm and harmony, as well as character representation, plot continuity, and chorus function.
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Music theory
- 키워드
- Choral music
- 키워드
- Early music
- 키워드
- Early opera
- 키워드
- Madrigal comedy
- 키워드
- Vecchi, Orazio
- 기타저자
- The University of Arizona Music
- 기본자료저록
- Dissertations Abstracts International. 86-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aDolan, Keenan Elijah.▼0(orcid)0009-0005-9422-7437
■24510▼aMadrigal Comedy and the Broader Choral Context for Early Opera
■260 ▼a[Sl]▼bThe University of Arizona▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a74 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-11, Section: A.
■500 ▼aAdvisor: Schauer, Elizabeth.
■5021 ▼aThesis (D.M.A.)--The University of Arizona, 2025.
■520 ▼aMadrigal comedy is an important genre in the history of Western music. Traditionally, madrigal comedy has been considered a forerunner of opera. More recently, based on information regarding performance traditions and narrative content, some scholars have argued that madrigal comedy is more appropriately considered a choral genre. Madrigal comedy, particularly L'Amfiparnaso by Orazio Vecchi (1550-1605), does have an important place in the development of choral music; however, it remains an important precursor to opera not only because of common origins and Vecchi's acknowledged influence on early opera composers, but also because of the shared approaches to dramatic story-telling. In this study, I have examined the shared origins of opera and madrigal comedy, and how consideration of these shared origins can help re-contextualize the intersections of these two genres. In support of my argument, I have established a clear link between Orazio Vecchi's madrigal comedy, L'Amfiparnaso, and the earliest operas, including consideration of the association between the composers involved, their shared connection with the Concerto delle Donne, and their common links to the Este courts. I also have compared musical and dramatic aspects of the two genres, including text treatment, melody, rhythm and harmony, as well as character representation, plot continuity, and chorus function.
■590 ▼aSchool code: 0009.
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusic theory
■653 ▼aChoral music
■653 ▼aConcerto delle Donne
■653 ▼aEarly music
■653 ▼aEarly opera
■653 ▼aMadrigal comedy
■653 ▼aVecchi, Orazio
■690 ▼a0413
■690 ▼a0208
■690 ▼a0221
■71020▼aThe University of Arizona▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-11A.
■790 ▼a0009
■791 ▼aD.M.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17357197▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
