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Gender, Authorship, and Memory in Contemporary Bande Dessinee About the Algerian War of Independence
Gender, Authorship, and Memory in Contemporary Bande Dessinee About the Algerian War of Independence
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105145
- ISBN
- 9798265409980
- DDC
- 840
- 저자명
- Defever, Elke.
- 서명/저자
- Gender, Authorship, and Memory in Contemporary Bande Dessinee About the Algerian War of Independence
- 발행사항
- [Sl] : Indiana University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 319 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-05, Section: A.
- 주기사항
- Advisor: Bowles, Brett.
- 학위논문주기
- Thesis (Ph.D.)--Indiana University, 2025.
- 초록/해제
- 요약This dissertation explores the gendered representation of the Algerian war of Independence in Francophone bande dessinee by both French and Algerian creators. Focusing on works published between 1998 and 2018 that address the Algerian War of Independence (1954-1962), it analyzes not only differences in narrative style and aesthetics, but the cultural priorities and biases of competing representations, as well as their stakes for national identity and collective memory in both countries. This twenty-year span reflects a period of intensified public and political reckoning with the war in France. Beginning with the first recognition of colonial-era violence, this shift in public historiography led to a growing number of creators who engaged with marginalized voices and contested memories in popular cultural production like comics which, thanks to their popularity, have the potential either to reify or to challenge state sponsored, politically instrumentalized forms of commemoration and historiography. Chapter 1 examines the last five albums of Jacques Ferrandez's Carnets d'Orient (1998-2009). As a pied-noir Ferrandez seeks to present diverse perspectives on the war, but in practice his work validates a melancholic form of colonial nostalgia known as "nostalgerie." Chapter 2 analyzes Algeriennes 1954-1962 (2018) by Zac Deloupy and Swann Meralli, metropolitan French creators who prioritize the experiences of Algerian women, raising important questions about white men who presume to speak on behalf of colonized women. Chapter 3 explores the work of Farid Boudjellal, born in France to Algerian parents just before the war. His series Petit Polio (1998-2012) addresses not Algeria, but his own hybrid identity and family dynamics in France during the war, offering insight into the complexities of diasporic memory and identity shaped by France's colonial legacy. Adopting a broader, trans-Mediterranean perspective, the fourth and final chapter focuses on female Algerian creators who have reclaimed narrative agency through comics. Their work addresses the historical silences left by male-dominated French and Algerian institutions while reimagining Algeria's future through themes of inclusion, empowerment, and cultural self-determination. Seeking to move beyond revisiting colonial trauma, they assert a new space for Algerian women as historical subjects and memory-keepers.
- 일반주제명
- French literature
- 일반주제명
- Art history
- 일반주제명
- Middle Eastern studies
- 키워드
- Algeria
- 키워드
- Bande dessinee
- 키워드
- Comics
- 키워드
- Gender
- 키워드
- Independence
- 키워드
- Memory
- 기타저자
- Indiana University French
- 기본자료저록
- Dissertations Abstracts International. 87-05A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520260202105145
■006m o d
■007cr#unu||||||||
■020 ▼a9798265409980
■035 ▼a(MiAaPQ)AAI32241088
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a840
■1001 ▼aDefever, Elke.
■24510▼aGender, Authorship, and Memory in Contemporary Bande Dessinee About the Algerian War of Independence
■260 ▼a[Sl]▼bIndiana University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a319 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-05, Section: A.
■500 ▼aAdvisor: Bowles, Brett.
■5021 ▼aThesis (Ph.D.)--Indiana University, 2025.
■520 ▼aThis dissertation explores the gendered representation of the Algerian war of Independence in Francophone bande dessinee by both French and Algerian creators. Focusing on works published between 1998 and 2018 that address the Algerian War of Independence (1954-1962), it analyzes not only differences in narrative style and aesthetics, but the cultural priorities and biases of competing representations, as well as their stakes for national identity and collective memory in both countries. This twenty-year span reflects a period of intensified public and political reckoning with the war in France. Beginning with the first recognition of colonial-era violence, this shift in public historiography led to a growing number of creators who engaged with marginalized voices and contested memories in popular cultural production like comics which, thanks to their popularity, have the potential either to reify or to challenge state sponsored, politically instrumentalized forms of commemoration and historiography. Chapter 1 examines the last five albums of Jacques Ferrandez's Carnets d'Orient (1998-2009). As a pied-noir Ferrandez seeks to present diverse perspectives on the war, but in practice his work validates a melancholic form of colonial nostalgia known as "nostalgerie." Chapter 2 analyzes Algeriennes 1954-1962 (2018) by Zac Deloupy and Swann Meralli, metropolitan French creators who prioritize the experiences of Algerian women, raising important questions about white men who presume to speak on behalf of colonized women. Chapter 3 explores the work of Farid Boudjellal, born in France to Algerian parents just before the war. His series Petit Polio (1998-2012) addresses not Algeria, but his own hybrid identity and family dynamics in France during the war, offering insight into the complexities of diasporic memory and identity shaped by France's colonial legacy. Adopting a broader, trans-Mediterranean perspective, the fourth and final chapter focuses on female Algerian creators who have reclaimed narrative agency through comics. Their work addresses the historical silences left by male-dominated French and Algerian institutions while reimagining Algeria's future through themes of inclusion, empowerment, and cultural self-determination. Seeking to move beyond revisiting colonial trauma, they assert a new space for Algerian women as historical subjects and memory-keepers.
■590 ▼aSchool code: 0093.
■650 4▼aFrench literature
■650 4▼aArt history
■650 4▼aMiddle Eastern studies
■653 ▼aAlgeria
■653 ▼aBande dessinee
■653 ▼aComics
■653 ▼aGender
■653 ▼aIndependence
■653 ▼aMemory
■690 ▼a0205
■690 ▼a0377
■690 ▼a0555
■71020▼aIndiana University▼bFrench.
■7730 ▼tDissertations Abstracts International▼g87-05A.
■790 ▼a0093
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359605▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
