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Piano Performance Dissertation
Piano Performance Dissertation
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105251
- ISBN
- 9798291598160
- DDC
- 780
- 서명/저자
- Piano Performance Dissertation
- 발행사항
- [Sl] : University of Michigan, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 49 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisor: Skelton, Logan.
- 학위논문주기
- Thesis (D.M.A.)--University of Michigan, 2025.
- 초록/해제
- 요약This dissertation presents three piano recitals, featuring keyboard music from the eighteenth through twenty-first centuries. The first recital begins with two pieces by Domenico Scarlatti that feature repeated notes (one slow and one fast). Next, there are three sets of short pieces by American composers (Chick Corea, Amy Beach, and William Bolcom). Finally, a mazurka by Frederic Chopin leads into his second piano sonata in B-flat minor. The second recital features three historical pianos (also known as fortepianos) and a lecture about the pieces performed on them. Two of the fortepianos are English and one is Viennese, and this program centers around compositional responses to encountering an unfamiliar type of piano. Haydn's trip to London in 1794, when he wrote piano sonatas for the English piano (instead of his familiar Viennese piano) is juxtaposed with Michael Kropf's experience writing a piece for my 1826 Broadwood square piano in 2023. The first half of my final recital presents two keyboard suites, one by J. S. Bach and one by Samuel Barber. Each suite is a collection of short pieces, each inspired by a different style of music. In Bach's case, his keyboard suites explore different Baroque dances. In Barber's Excursions, he puts his own spin on distinctly American sounds and musical genres. The second half of this recital explores ornamentation and variation of repeated themes in the music of Chopin and Mozart. Both composers had reputations as excellent improvisers and pianists, and their music often invites embellishment.
- 일반주제명
- Music
- 일반주제명
- Musical performances
- 일반주제명
- Music history
- 키워드
- Piano sonatas
- 키워드
- B-flat minor
- 키워드
- Viennese piano
- 키워드
- Fortepianos
- 키워드
- Musical genres
- 기타저자
- University of Michigan Music: Performance
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520260202105251
■006m o d
■007cr#unu||||||||
■020 ▼a9798291598160
■035 ▼a(MiAaPQ)AAI32276861
■035 ▼a(MiAaPQ)umichrackham006296
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aMerrill-Steskal, Gabriel.
■24510▼aPiano Performance Dissertation
■260 ▼a[Sl]▼bUniversity of Michigan▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a49 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisor: Skelton, Logan.
■5021 ▼aThesis (D.M.A.)--University of Michigan, 2025.
■520 ▼aThis dissertation presents three piano recitals, featuring keyboard music from the eighteenth through twenty-first centuries. The first recital begins with two pieces by Domenico Scarlatti that feature repeated notes (one slow and one fast). Next, there are three sets of short pieces by American composers (Chick Corea, Amy Beach, and William Bolcom). Finally, a mazurka by Frederic Chopin leads into his second piano sonata in B-flat minor. The second recital features three historical pianos (also known as fortepianos) and a lecture about the pieces performed on them. Two of the fortepianos are English and one is Viennese, and this program centers around compositional responses to encountering an unfamiliar type of piano. Haydn's trip to London in 1794, when he wrote piano sonatas for the English piano (instead of his familiar Viennese piano) is juxtaposed with Michael Kropf's experience writing a piece for my 1826 Broadwood square piano in 2023. The first half of my final recital presents two keyboard suites, one by J. S. Bach and one by Samuel Barber. Each suite is a collection of short pieces, each inspired by a different style of music. In Bach's case, his keyboard suites explore different Baroque dances. In Barber's Excursions, he puts his own spin on distinctly American sounds and musical genres. The second half of this recital explores ornamentation and variation of repeated themes in the music of Chopin and Mozart. Both composers had reputations as excellent improvisers and pianists, and their music often invites embellishment.
■590 ▼aSchool code: 0127.
■650 4▼aMusic
■650 4▼aMusical performances
■650 4▼aMusic history
■653 ▼aPiano sonatas
■653 ▼aB-flat minor
■653 ▼aViennese piano
■653 ▼aFortepianos
■653 ▼aMusical genres
■690 ▼a0413
■690 ▼a0943
■690 ▼a0208
■71020▼aUniversity of Michigan▼bMusic: Performance.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■790 ▼a0127
■791 ▼aD.M.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360013▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
