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Summary of Dissertation Recitals: Without Tape, Contours and Melodies, and Kebyar Tunggal
Summary of Dissertation Recitals: Without Tape, Contours and Melodies, and Kebyar Tunggal
Detailed Information
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105251
- ISBN
- 9798291598108
- DDC
- 780
- 저자명
- Ryan, Gavin B.
- 서명/저자
- Summary of Dissertation Recitals: Without Tape, Contours and Melodies, and Kebyar Tunggal
- 발행사항
- [Sl] : University of Michigan, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 95 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisor: Perkins, Douglas.
- 학위논문주기
- Thesis (D.M.A.)--University of Michigan, 2025.
- 초록/해제
- 요약Three percussion recitals were given in lieu of a written dissertation. The work below represents the programing and research from the dissertation recitals.The first recital, Without Tape: Music for Live Electronics, was presented in Hankinson Rehearsal Hall on November 25, 2024. The program utilized a variety of live electronic processes to augment percussion instruments. Each piece in the program featuring a different technological medium, including live processing, use of triggered samples, live score manipulation, and multi-channel spatialization. The recital was comprised of works by Nathan Davis, Christopher Butler, Gavin Ryan, and Roger Reynolds.The second recital, Contours and Melodies, was presented in McIntosh Theatre on March 23, 2025. The program featured a variety of melodic percussion-predominately using the standard keyboard instruments, but including drums and custom-made flutes played melodically. The recital was comprised of works by Francois-Bernard Mache, Eckhard Kopetzki, Juri Seo, Chistopher Theofanidis, Philippe Manoury, and Theo Merigeau.The third recital, Kebyar Tunggal, was presented in the Cady Room on April 5, 2025. The program featured percussion works written by Balinese composers, including four newly commissioned premieres for solo percussion, and one duet for percussion and electronics. The recital was comprised of works by I Putu Tangkas Adi Hiranmayena, Ni Nyoman Srayamurtikanti, I Wayan Pande Widiana, I Nyoman Windha, and I Putu Arya Deva Suryanegara.
- 일반주제명
- Music
- 일반주제명
- Asian studies
- 일반주제명
- Musical performances
- 키워드
- Balinese gamelan
- 키워드
- Electronic music
- 키워드
- Bali
- 기타저자
- University of Michigan Music: Performance
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798291598108
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aRyan, Gavin B.
■24510▼aSummary of Dissertation Recitals: Without Tape, Contours and Melodies, and Kebyar Tunggal
■260 ▼a[Sl]▼bUniversity of Michigan▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a95 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisor: Perkins, Douglas.
■5021 ▼aThesis (D.M.A.)--University of Michigan, 2025.
■520 ▼aThree percussion recitals were given in lieu of a written dissertation. The work below represents the programing and research from the dissertation recitals.The first recital, Without Tape: Music for Live Electronics, was presented in Hankinson Rehearsal Hall on November 25, 2024. The program utilized a variety of live electronic processes to augment percussion instruments. Each piece in the program featuring a different technological medium, including live processing, use of triggered samples, live score manipulation, and multi-channel spatialization. The recital was comprised of works by Nathan Davis, Christopher Butler, Gavin Ryan, and Roger Reynolds.The second recital, Contours and Melodies, was presented in McIntosh Theatre on March 23, 2025. The program featured a variety of melodic percussion-predominately using the standard keyboard instruments, but including drums and custom-made flutes played melodically. The recital was comprised of works by Francois-Bernard Mache, Eckhard Kopetzki, Juri Seo, Chistopher Theofanidis, Philippe Manoury, and Theo Merigeau.The third recital, Kebyar Tunggal, was presented in the Cady Room on April 5, 2025. The program featured percussion works written by Balinese composers, including four newly commissioned premieres for solo percussion, and one duet for percussion and electronics. The recital was comprised of works by I Putu Tangkas Adi Hiranmayena, Ni Nyoman Srayamurtikanti, I Wayan Pande Widiana, I Nyoman Windha, and I Putu Arya Deva Suryanegara.
■590 ▼aSchool code: 0127.
■650 4▼aMusic
■650 4▼aAsian studies
■650 4▼aMusical performances
■653 ▼aPercussion recitals
■653 ▼aBalinese gamelan
■653 ▼aElectronic music
■653 ▼aBali
■690 ▼a0413
■690 ▼a0943
■690 ▼a0342
■71020▼aUniversity of Michigan▼bMusic: Performance.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■790 ▼a0127
■791 ▼aD.M.A.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360016▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
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