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Imagining New Possibilities for Classical Music Performance in the 21st -Century: Drawing Inspiration From the Berlin Cabarets of the Weimar Republic
Imagining New Possibilities for Classical Music Performance in the 21st -Century: Drawing Inspiration From the Berlin Cabarets of the Weimar Republic
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105251
- ISBN
- 9798291598399
- DDC
- 780
- 서명/저자
- Imagining New Possibilities for Classical Music Performance in the 21st -Century: Drawing Inspiration From the Berlin Cabarets of the Weimar Republic
- 발행사항
- [Sl] : University of Illinois at Urbana-Champaign, 2023
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2023
- 형태사항
- 121 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-03, Section: A.
- 주기사항
- Advisor: Freivogel, Megan.
- 학위논문주기
- Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2023.
- 초록/해제
- 요약This dissertation examines the Berlin cabarets of the Weimar Republic as a model for reimagining new possibilities for classical music performances in the 21st-century United States and reshaping and inspiring my own performance practices as a classical violinist. A pivotal site of experimentation, artistic ingenuity, and inclusivity, the Berlin cabarets embraced interdisciplinary collaboration, audience participation, and community engagement in a non-confrontational forum that addressed current political, economic, and cultural issues in society.First, I investigate the current state of classical music in the 21st-century United States and analyze nonprofit performing arts organizations that are successfully adopting new strategies to build audiences for classical music performances. I draw parallels between the state of classical music during the Weimar Republic and the 21st-century United States and explore how many modern performing arts organizations hold resonance with the Berlin cabarets.Next, I provide a detailed historical overview of the Berlin cabarets of the Weimar Republic, the artistic ingenuity that led to the genre's success, and the demise of the cabarets during the Third Reich. In chapter 3, I describe the resurgence of the Berlin cabarets in Theresienstadt, a ghetto for Jewish inmates, during World War II.As a recipient of the University of Illinois Graduate Dissertation Travel Grant, I attend three cabaret shows in New York City. I analyze these performances and their correlations with the Berlin cabarets of the Weimar Republic.Lastly, in conjunction with this dissertation, I perform a Violins of Hope Cabaret Concert at the Spurlock Museum in Urbana, Illinois. In collaboration with Violins of Hope, an international exhibit featuring restored instruments from the Holocaust, I present with Avshi Weinstein, Co-Founder of the Violins of Hope project. Drawing inspiration from the successful elements of the Berlin cabarets of the Weimar Republic, this interdisciplinary concert features puppeteers, dancers, musicians, and visual artists from seven countries. I describe the process of planning and presenting this concert, share audience feedback, and reflect on my own performance practices for future classical music concerts.
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- American studies
- 일반주제명
- Musical performances
- 키워드
- Classical music
- 키워드
- Berlin cabarets
- 키워드
- Weimar Republic
- 기타저자
- University of Illinois at Urbana-Champaign Music
- 기본자료저록
- Dissertations Abstracts International. 87-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■0820 ▼a780
■1001 ▼aKasdan, Rebecca Rose.
■24510▼aImagining New Possibilities for Classical Music Performance in the 21st -Century: Drawing Inspiration From the Berlin Cabarets of the Weimar Republic
■260 ▼a[Sl]▼bUniversity of Illinois at Urbana-Champaign▼c2023
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2023
■300 ▼a121 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-03, Section: A.
■500 ▼aAdvisor: Freivogel, Megan.
■5021 ▼aThesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2023.
■520 ▼aThis dissertation examines the Berlin cabarets of the Weimar Republic as a model for reimagining new possibilities for classical music performances in the 21st-century United States and reshaping and inspiring my own performance practices as a classical violinist. A pivotal site of experimentation, artistic ingenuity, and inclusivity, the Berlin cabarets embraced interdisciplinary collaboration, audience participation, and community engagement in a non-confrontational forum that addressed current political, economic, and cultural issues in society.First, I investigate the current state of classical music in the 21st-century United States and analyze nonprofit performing arts organizations that are successfully adopting new strategies to build audiences for classical music performances. I draw parallels between the state of classical music during the Weimar Republic and the 21st-century United States and explore how many modern performing arts organizations hold resonance with the Berlin cabarets.Next, I provide a detailed historical overview of the Berlin cabarets of the Weimar Republic, the artistic ingenuity that led to the genre's success, and the demise of the cabarets during the Third Reich. In chapter 3, I describe the resurgence of the Berlin cabarets in Theresienstadt, a ghetto for Jewish inmates, during World War II.As a recipient of the University of Illinois Graduate Dissertation Travel Grant, I attend three cabaret shows in New York City. I analyze these performances and their correlations with the Berlin cabarets of the Weimar Republic.Lastly, in conjunction with this dissertation, I perform a Violins of Hope Cabaret Concert at the Spurlock Museum in Urbana, Illinois. In collaboration with Violins of Hope, an international exhibit featuring restored instruments from the Holocaust, I present with Avshi Weinstein, Co-Founder of the Violins of Hope project. Drawing inspiration from the successful elements of the Berlin cabarets of the Weimar Republic, this interdisciplinary concert features puppeteers, dancers, musicians, and visual artists from seven countries. I describe the process of planning and presenting this concert, share audience feedback, and reflect on my own performance practices for future classical music concerts.
■590 ▼aSchool code: 0090.
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aAmerican studies
■650 4▼aMusical performances
■653 ▼aClassical music
■653 ▼aBerlin cabarets
■653 ▼aViolin performance
■653 ▼aWeimar Republic
■690 ▼a0413
■690 ▼a0323
■690 ▼a0943
■690 ▼a0208
■71020▼aUniversity of Illinois at Urbana-Champaign▼bMusic.
■7730 ▼tDissertations Abstracts International▼g87-03A.
■790 ▼a0090
■791 ▼aD.M.A.
■792 ▼a2023
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17360017▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
