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Figuraciones migrantes: Una mirada caleidoscopica (2009-2021) : Migrant Figurations: A Kaleidoscopic View (2009-2021)
Figuraciones migrantes: Una mirada caleidoscopica (2009-2021) : Migrant Figurations: A Kaleidoscopic View (2009-2021)
Detailed Information
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202103054
- ISBN
- 9798286424399
- DDC
- 860
- 서명/저자
- Figuraciones migrantes: Una mirada caleidoscopica (2009-2021) : Migrant Figurations: A Kaleidoscopic View (2009-2021)
- 발행사항
- [Sl] : New York University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 194 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-12, Section: A.
- 주기사항
- Advisor: Fischer, Sibylle S.
- 학위논문주기
- Thesis (Ph.D.)--New York University, 2025.
- 초록/해제
- 요약This dissertation analyzes a group of literary and filmic works published between 2009 and 2021 that address contemporary migration experiences, focusing on the formal strategies used to figure the migrant subject. This analysis explores how literature and film respond aesthetically and politically to contemporary migration and examines the construction of migrant subjectivities in a context governed by neoliberal principles that promote the free movement of goods, but in which migrants repeatedly encounter obstacles to crossing the border or staying in the United States. In this dissertation, I argue that the studied materials reveal a blurring between the factual and the fictional, creating hybrid zones where testimonial narratives incorporate fictional elements, and fictional texts draw from documented experiences and specific sociopolitical realities. This porosity between genres mirrors the complexity of physical borders-a space where identity, cultural dimensions, and language intertwine to challenge more rigid categorizations. Like a kaleidoscope, where each turn offers a new shape and perspective, each chapter is dedicated to a different migrant subject. My dissertation challenges reductive views of migrants as mere victims or oppressed subjects. I argue that the contemporary cultural materials I analyze offer a new perspective-one that portrays migrants as active agents who create, collaborate, and survive through practices of care, solidarity, and tenderness.
- 일반주제명
- Cinematography
- 일반주제명
- Latin American studies
- 일반주제명
- Film studies
- 키워드
- Migration
- 키워드
- Oppression
- 키워드
- Martinez, Oscar
- 키워드
- Migration crisis
- 기타저자
- New York University Spanish and Portuguese Languages and Literatures
- 기본자료저록
- Dissertations Abstracts International. 86-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798286424399
■035 ▼a(MiAaPQ)AAI31932323
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a860
■1001 ▼aRojas Mora, Laura Victoria.
■24510▼aFiguraciones migrantes: Una mirada caleidoscopica (2009-2021) ▼bMigrant Figurations: A Kaleidoscopic View (2009-2021)
■260 ▼a[Sl]▼bNew York University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a194 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-12, Section: A.
■500 ▼aAdvisor: Fischer, Sibylle S.
■5021 ▼aThesis (Ph.D.)--New York University, 2025.
■520 ▼aThis dissertation analyzes a group of literary and filmic works published between 2009 and 2021 that address contemporary migration experiences, focusing on the formal strategies used to figure the migrant subject. This analysis explores how literature and film respond aesthetically and politically to contemporary migration and examines the construction of migrant subjectivities in a context governed by neoliberal principles that promote the free movement of goods, but in which migrants repeatedly encounter obstacles to crossing the border or staying in the United States. In this dissertation, I argue that the studied materials reveal a blurring between the factual and the fictional, creating hybrid zones where testimonial narratives incorporate fictional elements, and fictional texts draw from documented experiences and specific sociopolitical realities. This porosity between genres mirrors the complexity of physical borders-a space where identity, cultural dimensions, and language intertwine to challenge more rigid categorizations. Like a kaleidoscope, where each turn offers a new shape and perspective, each chapter is dedicated to a different migrant subject. My dissertation challenges reductive views of migrants as mere victims or oppressed subjects. I argue that the contemporary cultural materials I analyze offer a new perspective-one that portrays migrants as active agents who create, collaborate, and survive through practices of care, solidarity, and tenderness.
■590 ▼aSchool code: 0146.
■650 4▼aLatin American literature
■650 4▼aCinematography
■650 4▼aLatin American studies
■650 4▼aFilm studies
■653 ▼aMigration
■653 ▼aOppression
■653 ▼aMartinez, Oscar
■653 ▼aLuiselli, Valeria
■653 ▼aMigration crisis
■690 ▼a0312
■690 ▼a0435
■690 ▼a0550
■690 ▼a0900
■71020▼aNew York University▼bSpanish and Portuguese Languages and Literatures.
■7730 ▼tDissertations Abstracts International▼g86-12A.
■790 ▼a0146
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aSpanish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17356880▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
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