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Figuraciones migrantes: Una mirada caleidoscopica (2009-2021) : Migrant Figurations: A Kaleidoscopic View (2009-2021)
Figuraciones migrantes: Una mirada caleidoscopica (2009-2021)  : Migrant Figurations: A Ka...
Figuraciones migrantes: Una mirada caleidoscopica (2009-2021) : Migrant Figurations: A Kaleidoscopic View (2009-2021)

Detailed Information

자료유형  
 학위논문 서양
최종처리일시  
20260202103054
ISBN  
9798286424399
DDC  
860
저자명  
Rojas Mora, Laura Victoria.
서명/저자  
Figuraciones migrantes: Una mirada caleidoscopica (2009-2021) : Migrant Figurations: A Kaleidoscopic View (2009-2021)
발행사항  
[Sl] : New York University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
194 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-12, Section: A.
주기사항  
Advisor: Fischer, Sibylle S.
학위논문주기  
Thesis (Ph.D.)--New York University, 2025.
초록/해제  
요약This dissertation analyzes a group of literary and filmic works published between 2009 and 2021 that address contemporary migration experiences, focusing on the formal strategies used to figure the migrant subject. This analysis explores how literature and film respond aesthetically and politically to contemporary migration and examines the construction of migrant subjectivities in a context governed by neoliberal principles that promote the free movement of goods, but in which migrants repeatedly encounter obstacles to crossing the border or staying in the United States. In this dissertation, I argue that the studied materials reveal a blurring between the factual and the fictional, creating hybrid zones where testimonial narratives incorporate fictional elements, and fictional texts draw from documented experiences and specific sociopolitical realities. This porosity between genres mirrors the complexity of physical borders-a space where identity, cultural dimensions, and language intertwine to challenge more rigid categorizations. Like a kaleidoscope, where each turn offers a new shape and perspective, each chapter is dedicated to a different migrant subject. My dissertation challenges reductive views of migrants as mere victims or oppressed subjects. I argue that the contemporary cultural materials I analyze offer a new perspective-one that portrays migrants as active agents who create, collaborate, and survive through practices of care, solidarity, and tenderness.
일반주제명  
Latin American literature
일반주제명  
Cinematography
일반주제명  
Latin American studies
일반주제명  
Film studies
키워드  
Migration
키워드  
Oppression
키워드  
Martinez, Oscar
키워드  
Luiselli, Valeria
키워드  
Migration crisis
기타저자  
New York University Spanish and Portuguese Languages and Literatures
기본자료저록  
Dissertations Abstracts International. 86-12A.
전자적 위치 및 접속  
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MARC

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■035    ▼a(MiAaPQ)AAI31932323
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a860
■1001  ▼aRojas  Mora,  Laura  Victoria.
■24510▼aFiguraciones  migrantes:  Una  mirada  caleidoscopica  (2009-2021)  ▼bMigrant  Figurations:  A  Kaleidoscopic  View  (2009-2021)
■260    ▼a[Sl]▼bNew  York  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a194  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-12,  Section:  A.
■500    ▼aAdvisor:  Fischer,  Sibylle  S.
■5021  ▼aThesis  (Ph.D.)--New  York  University,  2025.
■520    ▼aThis  dissertation  analyzes  a  group  of  literary  and  filmic  works  published  between  2009  and  2021  that  address  contemporary  migration  experiences,  focusing  on  the  formal  strategies  used  to  figure  the  migrant  subject.  This  analysis  explores  how  literature  and  film  respond  aesthetically  and  politically  to  contemporary  migration  and  examines  the  construction  of  migrant  subjectivities  in  a  context  governed  by  neoliberal  principles  that  promote  the  free  movement  of  goods,  but  in  which  migrants  repeatedly  encounter  obstacles  to  crossing  the  border  or  staying  in  the  United  States.  In  this  dissertation,  I  argue  that  the  studied  materials  reveal  a  blurring  between  the  factual  and  the  fictional,  creating  hybrid  zones  where  testimonial  narratives  incorporate  fictional  elements,  and  fictional  texts  draw  from  documented  experiences  and  specific  sociopolitical  realities.  This  porosity  between  genres  mirrors  the  complexity  of  physical  borders-a  space  where  identity,  cultural  dimensions,  and  language  intertwine  to  challenge  more  rigid  categorizations.  Like  a  kaleidoscope,  where  each  turn  offers  a  new  shape  and  perspective,  each  chapter  is  dedicated  to  a  different  migrant  subject.  My  dissertation  challenges  reductive  views  of  migrants  as  mere  victims  or  oppressed  subjects.  I  argue  that  the  contemporary  cultural  materials  I  analyze  offer  a  new  perspective-one  that  portrays  migrants  as  active  agents  who  create,  collaborate,  and  survive  through  practices  of  care,  solidarity,  and  tenderness.
■590    ▼aSchool  code:  0146.
■650  4▼aLatin  American  literature
■650  4▼aCinematography
■650  4▼aLatin  American  studies
■650  4▼aFilm  studies
■653    ▼aMigration
■653    ▼aOppression
■653    ▼aMartinez,  Oscar
■653    ▼aLuiselli,  Valeria
■653    ▼aMigration  crisis
■690    ▼a0312
■690    ▼a0435
■690    ▼a0550
■690    ▼a0900
■71020▼aNew  York  University▼bSpanish  and  Portuguese  Languages  and  Literatures.
■7730  ▼tDissertations  Abstracts  International▼g86-12A.
■790    ▼a0146
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aSpanish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17356880▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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