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Glamour Against the Grain: Fashioning Identity in Postwar American Commercial Spaces, 1955-1970
Glamour Against the Grain: Fashioning Identity in Postwar American Commercial Spaces, 1955-1970
Detailed Information
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202104741
- ISBN
- 9798290651682
- DDC
- 792.8
- 저자명
- Hill, Linden J.
- 서명/저자
- Glamour Against the Grain: Fashioning Identity in Postwar American Commercial Spaces, 1955-1970
- 발행사항
- [Sl] : Stanford University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 234 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-01, Section: A.
- 주기사항
- Advisor: Troy, Nancy J.
- 학위논문주기
- Thesis (Ph.D.)--Stanford University, 2025.
- 초록/해제
- 요약Glamour is situated at the nexus of aesthetics, consumerism, identity, and performance. Despite its ephemerality, glamour takes on identifiable visual codes and emerges through embodied performance as it comes into view under particular historical circumstances. Glamour Against the Grain: Fashioning Identity in Postwar American Commercial Spaces, 1955-1970examines three instances of glamour that exist within frames distinguished by three different types of commercial space: the department store, the boutique, and the fashion show. Yet, the specific sites centered in this study----the Neiman Marcus department store in Dallas, Texas, the "Youthquake" boutiques that opened on New York's Madison Avenue, and the touring Ebony Fashion Fair----fundamentally deviate from the historically white, urban, heteronormative, and upper-middle class frameworks of traditional glamour as defined by Hollywood and the Parisian couture industry. In charting an otherwise overlooked glamour, this dissertation reveals a more malleable conception of what glamour can encompass, to whom it can speak, and where it can emerge. By relying on a close examination of objects of study in multiple media----fashion, photography, window display, architecture----and an interdisciplinary methodology rooted in art history and performance studies, this dissertation is positioned not only to retheorize glamour in a nuanced and inclusive manner, but also to reveal the ways in which the phenomenon both shapes and reflects social, political, and cultural concerns unique to postwar American experience.
- 일반주제명
- Dance
- 기타저자
- Meyer, Richard
- 기타저자
- Stanford University.
- 기본자료저록
- Dissertations Abstracts International. 87-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798290651682
■035 ▼a(MiAaPQ)AAI32149707
■035 ▼a(MiAaPQ)Stanfordpz474kb1488
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a792.8
■1001 ▼aHill, Linden J.
■24510▼aGlamour Against the Grain: Fashioning Identity in Postwar American Commercial Spaces, 1955-1970
■260 ▼a[Sl]▼bStanford University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a234 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-01, Section: A.
■500 ▼aAdvisor: Troy, Nancy J.
■5021 ▼aThesis (Ph.D.)--Stanford University, 2025.
■520 ▼aGlamour is situated at the nexus of aesthetics, consumerism, identity, and performance. Despite its ephemerality, glamour takes on identifiable visual codes and emerges through embodied performance as it comes into view under particular historical circumstances. Glamour Against the Grain: Fashioning Identity in Postwar American Commercial Spaces, 1955-1970examines three instances of glamour that exist within frames distinguished by three different types of commercial space: the department store, the boutique, and the fashion show. Yet, the specific sites centered in this study----the Neiman Marcus department store in Dallas, Texas, the "Youthquake" boutiques that opened on New York's Madison Avenue, and the touring Ebony Fashion Fair----fundamentally deviate from the historically white, urban, heteronormative, and upper-middle class frameworks of traditional glamour as defined by Hollywood and the Parisian couture industry. In charting an otherwise overlooked glamour, this dissertation reveals a more malleable conception of what glamour can encompass, to whom it can speak, and where it can emerge. By relying on a close examination of objects of study in multiple media----fashion, photography, window display, architecture----and an interdisciplinary methodology rooted in art history and performance studies, this dissertation is positioned not only to retheorize glamour in a nuanced and inclusive manner, but also to reveal the ways in which the phenomenon both shapes and reflects social, political, and cultural concerns unique to postwar American experience.
■590 ▼aSchool code: 0212.
■650 4▼aDance
■690 ▼a0378
■70010▼aMeyer, Richard▼ejoint author
■71020▼aStanford University.
■7730 ▼tDissertations Abstracts International▼g87-01A.
■790 ▼a0212
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358716▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
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