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Marveling at the Dharma: On the Roles of Rejoicing (Anumodanā, Suixi 隨喜) in the Lotus Sūtra and Its Cult in Medieval China
Marveling at the Dharma: On the Roles of Rejoicing (Anumodanā, Suixi 隨喜) in the Lotus S...
Marveling at the Dharma: On the Roles of Rejoicing (Anumodanā, Suixi 隨喜) in the Lotus Sūtra and Its Cult in Medieval China

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202104742
ISBN  
9798290649023
DDC  
491.2
저자명  
Butterfield, James Julian Wilcox.
서명/저자  
Marveling at the Dharma: On the Roles of Rejoicing (Anumodanā, Suixi 隨喜) in the Lotus Sūtra and Its Cult in Medieval China
발행사항  
[Sl] : Stanford University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
303 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-01, Section: A.
주기사항  
Advisor: Kieschnick, John.
학위논문주기  
Thesis (Ph.D.)--Stanford University, 2025.
초록/해제  
요약In Buddhist discourse, the term anumodana(suixi隨喜) refers to a practitioner's expression of joy at the teachings of the Buddhadharmaand at their fruition, either for others or oneself, in karmicmerit and other spiritual achievements. Whereas this emotional-cum-ritualtrope is prevalent across a wide array of Buddhist texts and practices, it receives remarkably emphatic treatment in the Lotus Sutra,a Mahayana Buddhist scripture which became arguably the most popular Buddhist text in East Asia following its first Chinese translations in the third and fifth centuries CE. This dissertation investigates the Lotus Sutra's specific configuration of anumodana, along with the elaboration of this trope by its early Chinese devotees. On one hand, it demonstrates how the Lotus Sutramarshals a host of literary strategies to both solicit the joyful response of its reader or hearer and present the wonderment and joy of anumodana at its own teachings as the very foundation of Buddhist piety and one's future buddhahood. On the other, it considers how the Lotus Sutra's vivid "affective regime"- its demand for its audiences' performance of anumodana-may have been registered, reiterated, and developed by its medieval Chinese devotees, and thus how it may have played into the exceptional popularity of this scripture in medieval China. It finds particularly revealing evidence of this elaboration in the extensive corpus of popular miracle tales used to propagate faith in the Lotus Sutraamong Chinese laypeople from the fourth to ninth centuries. These tales use their own array of literary techniques to invite their audiences' wonderment and joy at the scripture, as well as invaluably demonstrating how medieval Chinese Buddhists (ideally) incorporated anumodana into their religious lives. Ultimately, this dissertation argues that the Lotus Sutra's own forceful invocation of anumodana-its affective regime-was self-consciously elaborated by and for its medieval Chinese audiences as a particularly potent vehicle of Buddhist transmission and cult formation. It thus suggests that we consider more sensitively the roles affect may have played in Buddhism's history in China.
일반주제명  
Sanskrit
일반주제명  
Pedagogy
일반주제명  
Audiences
일반주제명  
English language
일반주제명  
Monks
일반주제명  
Buddhist life & ethics
일반주제명  
Chinese history
일반주제명  
Buddhists
일반주제명  
Religion
일반주제명  
Storytelling
일반주제명  
Ancient languages
일반주제명  
Hell
일반주제명  
Emotions
일반주제명  
Festivals
일반주제명  
Prophecies
일반주제명  
Rhetoric
일반주제명  
Music
일반주제명  
Genre
일반주제명  
Meditation
일반주제명  
Modernism
일반주제명  
Narrative techniques
일반주제명  
Buddhism
기타저자  
Stanford University.
기본자료저록  
Dissertations Abstracts International. 87-01A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■1001  ▼aButterfield,  James  Julian  Wilcox.
■24510▼aMarveling  at  the  Dharma:  On  the  Roles  of  Rejoicing  (Anumodanā,  Suixi  隨喜)  in  the  Lotus  Sūtra  and  Its  Cult  in  Medieval  China
■260    ▼a[Sl]▼bStanford  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a303  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-01,  Section:  A.
■500    ▼aAdvisor:  Kieschnick,  John.
■5021  ▼aThesis  (Ph.D.)--Stanford  University,  2025.
■520    ▼aIn  Buddhist  discourse,  the  term  anumodana(suixi隨喜)  refers  to  a  practitioner's  expression  of  joy  at  the  teachings  of  the  Buddhadharmaand  at  their  fruition,  either  for  others  or  oneself,  in  karmicmerit  and  other  spiritual  achievements.  Whereas  this  emotional-cum-ritualtrope  is  prevalent  across  a  wide  array  of  Buddhist  texts  and  practices,  it  receives  remarkably  emphatic  treatment  in  the  Lotus  Sutra,a  Mahayana  Buddhist  scripture  which  became  arguably  the  most  popular  Buddhist  text  in  East  Asia  following  its  first  Chinese  translations  in  the  third  and  fifth  centuries  CE.  This  dissertation  investigates  the  Lotus  Sutra's  specific  configuration  of  anumodana,  along  with  the  elaboration  of  this  trope  by  its  early  Chinese  devotees.  On  one  hand,  it  demonstrates  how  the  Lotus  Sutramarshals  a  host  of  literary  strategies  to  both  solicit  the  joyful  response  of  its  reader  or  hearer  and  present  the  wonderment  and  joy  of  anumodana  at  its  own  teachings  as  the  very  foundation  of  Buddhist  piety  and  one's  future  buddhahood.  On  the  other,  it  considers  how  the  Lotus  Sutra's  vivid  "affective  regime"-  its  demand  for  its  audiences'  performance  of  anumodana-may  have  been  registered,  reiterated,  and  developed  by  its  medieval  Chinese  devotees,  and  thus  how  it  may  have  played  into  the  exceptional  popularity  of  this  scripture  in  medieval  China.  It  finds  particularly  revealing  evidence  of  this  elaboration  in  the  extensive  corpus  of  popular  miracle  tales  used  to  propagate  faith  in  the  Lotus  Sutraamong  Chinese  laypeople  from  the  fourth  to  ninth  centuries.  These  tales  use  their  own  array  of  literary  techniques  to  invite  their  audiences'  wonderment  and  joy  at  the  scripture,  as  well  as  invaluably  demonstrating  how  medieval  Chinese  Buddhists  (ideally)  incorporated  anumodana  into  their  religious  lives.  Ultimately,  this  dissertation  argues  that  the  Lotus  Sutra's  own  forceful  invocation  of  anumodana-its  affective  regime-was  self-consciously  elaborated  by  and  for  its  medieval  Chinese  audiences  as  a  particularly  potent  vehicle  of  Buddhist  transmission  and  cult  formation.  It  thus  suggests  that  we  consider  more  sensitively  the  roles  affect  may  have  played  in  Buddhism's  history  in  China.
■590    ▼aSchool  code:  0212.
■650  4▼aSanskrit
■650  4▼aPedagogy
■650  4▼aAudiences
■650  4▼aEnglish  language
■650  4▼aMonks
■650  4▼aBuddhist  life  &  ethics
■650  4▼aChinese  history
■650  4▼aBuddhists
■650  4▼aReligion
■650  4▼aStorytelling
■650  4▼aAncient  languages
■650  4▼aHell
■650  4▼aEmotions
■650  4▼aFestivals
■650  4▼aProphecies
■650  4▼aRhetoric
■650  4▼aMusic
■650  4▼aGenre
■650  4▼aMeditation
■650  4▼aModernism
■650  4▼aNarrative  techniques
■650  4▼aBuddhism
■690    ▼a0289
■690    ▼a0681
■690    ▼a0456
■690    ▼a0413
■690    ▼a0318
■71020▼aStanford  University.
■7730  ▼tDissertations  Abstracts  International▼g87-01A.
■790    ▼a0212
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17358719▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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