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"Invisible, as Music - But positive, as Sound -" : The Intertextual Continuum of Poetry, Music, and Song in Aaron Copland's Twelve Poems of Emily Dickinson, Benjamin Britten's Songs and Proverbs of William Blake, and Benjamin T. Martin/Alexandre Tchaykov's I See and Unsee: Five Memory Songs
"Invisible, as Music - But positive, as Sound -" : The Intertextual Continuum of Poetry, Music, and Song in Aaron Copland's Twelve Poems of Emily Dickinson, Benjamin Britten's Songs and Proverbs of William Blake, and Benjamin T. Martin/Alexandre Tchaykov's I See and Unsee: Five Memory Songs
Tchaykov, Alexandre. | University of California, Los Angeles | 2024
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Earth is short-- [electronic resource] : for 2 pianos, 2 sopranos and 2 altos
Earth is short-- [electronic resource] : for 2 pianos, 2 sopranos and 2 altos
Meijering, Chiel, | Donemus | 2005
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Emily Dickinson's Windows, 1830-1886
Emily Dickinson's Windows, 1830-1886
Situ, Xiao Yi. | Yale University | 2020
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